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Events and Festivals April 08, 2025

Pap Jazz 2025, a Celebration of Haiti’s Great Musical Richness

On Sunday, April 6, 2025, the Karibe Convention Center in Juvenat transformed into a true cultural temple to close the 18th edition of the Port-au-Prince International Jazz Festival (PAPJAZZ). This year, the festival took place under the evocative theme "PAP JAZZ it UP", and it was held in three sites primarily located in the Pétion-Ville commune. The festival took place entirely at these wonderful musical venues: a reference was made to the Latin Quarter, the Haiti-Brazil Cultural Center, and the Karibe Hotel. Due to the deteriorating situation in downtown Port-au-Prince in recent times, the French Institute site had to be abandoned by the festival organizers. Nevertheless, we can absolutely call this 18th edition of Pap Jazz a success. Indeed, this festival, now a major event of the Haitian year, was especially marked this year by the great resilience and determination of the organizers who were able to adapt to the country’s rhythm in order to satisfy their loyal festival-goers. Despite the difficult context, these festival-goers did not miss the opportunity to escape their harsh daily lives through music. It’s also important to note that this 18th edition of Pap Jazz took place after two postponements, at the very beginning of this year, with the last one occurring in March due to insecurity. In this regard, it is appropriate to call the monumental achievement of the Haïti Jazz Foundation and their partners an exceptional feat, as they were not discouraged and showed remarkable tenacity, while adapting to offer Port-au-Prince and its surroundings this moment of growth, beyond the city’s great sorrow, through music.

Par Moise Francois |
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Events and Festivals February 20, 2024

Haiti: A look back at the First Rara Weekend in Petit-Goave

Haitian culture is a true treasure, woven from the creativity of its artists, its rich heritage and the diversity of its cultural expressions. Among these cultural gems, the rara stands as a true national emblem, uniting Haitians through its captivating rhythms and centuries-old traditions. During the first Rara weekend, this very essence of Haitian culture shone brightly, revealing palpable social cohesion. Despite the absence of law enforcement, tranquility reigned in Petit-Goâve, testifying to the ability of citizens to come together in peace and conviviality. However, media attention was mainly focused on the first plain, leaving a certain imbalance in the coverage of the festivities. Ratyèfè, three-time reigning champion, once again captivated minds with his talent and artistic mastery, offering an unparalleled spectacle. But his rival, Lambi gran dlo, was not to be outdone, displaying a determination to compete for first place. The event was also marked by unfortunate incidents, reminding us that despite the beauty of tradition, tensions can arise. Clashes between fans of different groups tarnished the festive atmosphere, highlighting the need for careful management of celebrations to avoid such excesses. At the heart of this musical competition, where each group aspires to recognition and victory, a complex picture of rivalries and alliances emerges. Chenn tamarin, although appearing asleep in the first moments, shows signs of waking up, ready to shake up the established order. On Sunday evening, Lambi gran dlo honored the memory of one of its loyal supporters, while Grap Kenèp was the scene of violence between fans, recalling the fragility of social cohesion when passion runs wild. In this whirlwind of emotion and competition, it is crucial to keep in mind that it is the journalist who must look to the events, and not the other way around. This is how we draw up the first ranking for this first weekend: 1. Ratyèfè 2. Lambi grand dlo 3. Chenn tamarind Beyond the results, it is the preservation of unity and mutual respect that must remain at the heart of these celebrations, making the rara not only a musical festival, but above all a symbol of the wealth and resilience of the people Haitian.

Par Gladimyr Vaval |
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Events and Festivals March 29, 2024

Plume en Quest: Celebration of Haitian Women at the Alliance Française of Jacmel.

On March 23, 2024, in an atmosphere full of emotion and reflection, the Alliance française de Jacmel witnessed a unique cultural event of its kind. In collaboration with the Jacmel Jazz Festival, Plume en Quête presented a captivating show entitled “The Haitian woman is an asset”. Under the artistic direction of Jean Kenia, this captivating show drew on the provocative writings of the famous philosopher Simone de Beauvoir. Through striking artistic performances, the audience was transported on an introspective journey about the central role of women in Haitian society. The spectators, who came in large numbers to witness this event, were deeply touched by the evocative power of the show. “It was an incredible experience,” said one spectator. “This show captured the strength and resilience of Haitian women in a striking way.” Beyond its artistic aspect, this show also raised important questions about gender equality and women’s empowerment. By highlighting the essential contribution of Haitian women to society, he called for collective reflection on the need to promote social justice and gender equality. In short, this evening at the Alliance Française was much more than just entertainment: it was a vibrant testimony to the strength, resilience and beauty of Haitian women, as well as a call to action in favor of a fairer and more equitable future for all.

Par Jarule Laguerre | 1
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Events and Festivals November 22, 2023

The Haitian Carnival: A Festival of Colors, Music and Traditions

The Haitian carnival, an emblematic and essential celebration of the country’s festive calendar, is much more than a simple party. It embodies the very essence of Haitian culture, joyfully blending ancestral traditions, intoxicating music and a deep sense of community. Each year, this vibrant celebration transforms the streets into a vibrant and colorful spectacle, attracting thousands of participants and spectators eager to take part in this one-of-a-kind celebration. Haitian carnival has deep roots in the country’s history, dating back to colonial times. It has evolved over the centuries, incorporating elements of African, French and Creole culture to create a distinct and captivating celebration. The carnival period in Haïti traditionally begins in January and culminates with extravagant festivities that take place over several days. One of the most striking features of the Haitian carnival is the profusion of colors. Traditional costumes, called "masks", are elaborate and beautifully designed. They feature vivid patterns and vibrant decorations, creating a vivid picture of Haitian cultural identity. Participants, dressed in these elaborate costumes, parade through the streets to the sound of lively music, creating an electric atmosphere. Music is at the heart of the Haitian carnival. The captivating rhythms of compass, rasin, rara and other local musical genres resonate throughout the city, inviting people to dance to the rhythm of the party. Orchestras parade through the streets, accompanying the dancers and creating a unique symbiosis between the music and the graceful movements of the participants. The Haitian carnival parade is not just about the music and costumes; it also celebrates the richness of street arts. Talented artists create giant sculptures, art installations and theatrical performances that tell deep stories of Haitian history and culture. These artistic expressions contribute to the transmission of values ​​and stories that shape the identity of the Haitian people.

Par Appolon Guy Alain |
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Petit-Goave, Haiti: Decryption of the 3rd rara weekend!

It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse

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History

History

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Natural beauty

Natural beauty

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Heritage

Heritage

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

Culture

Culture

Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.

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