Haïti is one of the few countries where you can enjoy beautiful beaches all year round, regardless of the season.

A Journey to the Heart of Pre-Columbian Heritage: A Look Back at the Arawak, Tainos, Ciboney Survival Event

On December 5, 2024, the Emmanuel Charlemagne Municipal Cultural Center opened its doors for an unforgettable day dedicated to the history and memory of the pre-Columbian peoples of Haïti and the Caribbean. Entitled "Arawak, Tainos, Ciboney Survival", this cultural initiative brought together enthusiasts, researchers and the curious in an atmosphere rich in discoveries and emotions.

Cap-Haïtien vibrated this weekend with an unforgettable roadtrip and boat party!

On September 1, 2024, Haïti vibrated to the rhythm of Roadtrip 4.0, an exceptional event that left a memorable mark on all participants. Organized by ShoublackHaïti and Championbusiness, this fourth edition of the Roadtrip brought together dozens of people on the beach of Marquis Paradise, near Labadee, Haiti, for a day combining relaxation, entertainment and cultural immersion.

Haiti: Fort Liberté, a Historical and Cultural Jewel

Nestled on the northeast coast of Haiti, between the green mountains and the azure waters of the Atlantic Ocean, lies a small town with undeniable charm: Fort Liberté. This historical and cultural gem is full of fascinating stories, picturesque landscapes and cultural richness that captivate visitors from around the world. A Historical Heritage Fort Liberté owes its name to the old fortress which overlooks the city, a vestige of the French colonial era. Built in the 18th century to protect the region from foreign invasions, this fort offers stunning panoramic views of the surrounding area, testifying to its strategic importance at the time. Today, it serves as a major tourist attraction, offering visitors a captivating insight into Haiti’s turbulent history. Culture and Traditions The cultural richness of Fort Liberté is reflected in its vibrant traditions, captivating music and local crafts. The city’s residents are renowned for their warm hospitality and pride in their heritage. Visitors can immerse themselves in the local culture by experiencing authentic Creole cuisine, watching traditional dance performances, or exploring bustling markets where a variety of handmade crafts can be found, such as wood carvings and vivid paintings. Natural beauty The surroundings of Fort Liberté are full of breathtaking natural treasures. The white sand beaches lined with palm trees offer an idyllic setting to relax and soak up the tropical sun. Outdoor enthusiasts will also find what they are looking for in the surrounding mountains, where they can hike through lush nature and discover hidden waterfalls and breathtaking panoramas. Fort Liberté, with its captivating blend of history, culture and nature, is a must-visit destination for those wishing to experience the true essence of Haiti. Whether you explore the historical remains, immerse yourself in the daily lives of the locals or marvel at the natural beauty of the surrounding area, this small town offers an enriching and memorable experience for all those who have the chance to visit it.

Why All Eyes Should Be on Port Chinourette: Haiti’s Biggest Economic Opportunity in 100 Years

For more than 200 years, Haïti has stood at the intersection of possibility and exclusion. The first black republic in the world was born in revolution, forged by boldness, and blessed with strategic geography. And yet, through a combination of political instability, external interference, and poor infrastructure, Haïti has long remained isolated from the global economic systems that build prosperity. But today, on the quiet northern coast between Fort-Liberté and Phaeton, a new possibility is rising up from the ground. It’s not another aid project. It’s not a symbolic ribbon-cutting. It is Port Chinourette Terminal, a bold and meticulously planned cargo port that could finally put Haïti back on the map, not as a beneficiary of generosity, but as a competitive player in global trade. Port Chinourette is more than a logistics terminal. It’s a strategic inflection point. The kind of once-in-a-century infrastructure investment that can create jobs, stimulate industries, decentralize growth, and transform the economy of an entire nation. With capacity to handle up to three-million TEUs annually by 2040, it is the most ambitious port project in Haiti’s recent history. But its true power lies not only in its size, but in what it unlocks.

Sandra Dessalines, creating to testify her freedom

Sandra Dessalines is a self-taught Haitian painter, sculptor, and visual artist. She was born in Port-au-Prince but grew up in the commune of Carrefour. Today, she is an ambassador who brings Haitian culture to life through her art all over the world, particularly in France, where she has lived for more than a decade. An Honorable Journey Sandra Dessalines trained as an agricultural engineer at Quisqueya University in Port-au-Prince and continued her studies at INSA in Toulouse, France. Her official entry into the world of art came after the devastating earthquake that ravaged her homeland, Haiti, on January 12, 2010. This event pushed her towards art, allowing her to reach the level she occupies today. In terms of recognition, Sandra Dessalines has made a name for herself, with her original style, inspired by her native Haiti, gaining increasing recognition from major event organizers in Paris. In October 2024, she even received the public prize at Lmh Concept Events Art and Design for their 10th anniversary in Paris. This award perfectly reflects the originality of her work and her ability to touch people’s hearts through her creation.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society