Cap-Haïtien Christmas Market 2025: the magical event not to be missed on December 23rd and 24th

Official Launch of the 4th Edition of the National Essay Contest by Centre Muse Haïti

On Thursday, May 15, 2025, the Karibe Hotel hosted the launch conference of the 4th edition of the national essay contest organized by Centre Muse Haïti. The event was attended by members of the Centre, including Father Gilbert Peltrop, contest coordinator, Mr. Arnold Antonin, special guest of this edition, as well as representatives from institutions such as the Ministry of National Education, represented by Emmanuel Bernard speaking on behalf of Minister Antoine Augustin; the OPC; the State University of Haiti, represented by Rector Dieuseul Prédélus; LONAPÉ, represented by Mr. Hervé Boursiquot; the Ombudsman Me Wilner Morin; and representatives of the UNDP, BINUH, and UNESCO, represented respectively by Mr. Xavier Michon, Armor BouBarkri (on behalf of Ms. Maria Isabel Salvador), and Ms. Erica Francillon Célestin (on behalf of Mr. Éric Voli Bi), partners of Centre Muse in this initiative. Members of the press were also present.

Constitution of the Republic of Haiti: 1987 Amended in 2011 (First part)

The Haitian People proclaim this Constitution: To guarantee their inalienable and imprescriptible rights to life, liberty and the pursuit of happiness; in accordance with their Act of Independence of 1804 and the Universal Declaration of Human Rights of 1948. To constitute a Haitian nation that is socially just, economically free and politically independent. To re-establish a stable and strong State, capable of protecting values, traditions, sovereignty, independence and national vision. To implement democracy that implies ideological pluralism and political alternation and affirm the inviolable rights of the Haitian People. To strengthen national unity, by eliminating all discrimination between urban and rural populations, by accepting the community of languages ​​and culture and by recognizing the right to progress, information, education, health, work and leisure for all citizens. To ensure the separation and harmonious distribution of State Powers in the service of the fundamental and priority interests of the Nation. To establish a governmental regime based on fundamental freedoms and respect for human rights, social peace, economic equity, consultation and participation of the entire population in major decisions affecting national life, through effective decentralization.

Haïti Crafts: A World of Creativity

Haiti, a Caribbean island rich in culture and tradition, is renowned for its unique craftsmanship and unparalleled creativity. From wrought iron work to wood carvings to vivid paintings and colorful textile creations, Haitian craftsmanship embodies the very essence of the art and soul of the Haitian people.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

What Connects Haïti to Africa? An Indestructible Cultural and Historical Bridge

Haïti and Africa share a deep and historical bond, forged over centuries. This bond goes beyond simple colonial history, it is nourished by cultural roots, ethnic affinities, and a common heritage stemming from the struggle for freedom. Throughout history, the African diaspora, and the impact of slavery, Haïti has become a symbol of resilience and black pride, particularly for many African and Afro-descendant communities around the world. But what really connects Haïti to Africa? Let’s dive into this exceptional and meaningful relationship.

Maello ERO: A rising star of Haitian rap

Maello ERO, whose real name is Woodmaer DOLMA, was born in Petit-Goâve on November 17, 1994. From a young age, he stood out for his talent and determination. He completed his primary studies at the Wesleyan School of Fond-Doux and his secondary studies at the Collège Mixte Capois La Mort (COMICAM). In 2013, while still a student, he began his artistic career as a rapper. His integration into the group “Zerocks”, made up of young singers and rappers, allowed him to develop his talent and express his passion for music. In 2016, Maello ERO distinguished himself by winning third prize in the rap competition organized in Petit-Goâve under the theme: "Ann fete Nwel nan pataj pou lanmou jemen nan Tigwav". This victory marked a turning point in his musical career. The following year, in 2017, he released his debut track titled "Koz mwen se ERO Star", which received a warm reception from the audience. In 2021, he joined the group MJM (Maello Jay-T and Master Guy), with whom he produced several titles including "Mwen vle mennen w" in collaboration with Povenzoe (October 2022), "MJM nan kay la" (September 2022), “Fanm sadomin m” (November 2022), “Mèsi manman” and a carnival song entitled “Leve kanpe”.