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Frankétienne, the Nobel Prize Winner
Frankétienne, the Nobel Prize Winner
Frankétienne, the Nobel Prize Winner

Frankétienne, the Nobel Prize Winner

Frankétienne is the stage name of the man who officially bore the name Jean-Pierre Basilic Dantor. He was born in the Artibonite department of Haïti on April 12, 1936. His father, who did not recognize him at birth, was, according to his own account, an American industrialist who had come to do business in Haiti, and his mother was an Artibonite farmer. This makes Frank a similar case to the great Jamaican artist Bob Marley, who had a typical story, in addition to the fact that both men made their country known abroad and left their mark on their land from within through their art. Frank died on Thursday, February 20, 2025, in Delmas, his home town for decades. He was about to celebrate his 89th birthday.

Haïti
Haïti
Haïti

The Child King

Frankétienne spent very little time in Ravine Sèche (his hometown) after his birth. His mother fled Haitian provincial poverty to settle with the little boy in the famous Bel-Air neighborhood of Port-au-Prince, one of the most vibrant and vibrant of its time. This neighborhood would mark little Frank’s life, and he would be influenced by its creativity and dynamism to this day. Moreover, Frankétienne recounts growing up under the banners of freedom and in unparalleled joy in this neighborhood where Port-au-Prince was born. In Bel-Air, he tells himself, his mulatto skin made him a popular white boy in this very working-class neighborhood, densely populated by blacks.

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Haïti
Haïti
Haïti

Sacred Monster

Frankétienne recounts entering literature through the front door of reading. And this great love of reading came to him in the monumental aftermath of a vast failure. Little Frank, having just arrived from Ravine Sèche, was asked his name by a Catholic nun, and he didn’t know what to answer. He stood in front of a room, taking refuge in a shameful silence to defend himself against this ignorance. This episode would push little Frank toward books, to the point of loving them to the end.
Today, Frankétienne is honored by UNESCO, which has just created a literary prize in his honor for his literary creativity. He is one of the most prolific authors of his time, with more than 30 written works, a considerably diverse body of work consisting of plays, poetry, novels, and essays. Among his most famous works, works that have left their mark on the Haitian imagination, we can cite Dézafi, Pèlentèt, Foukifoura, L’ultravocal, and Les affres d’un défi.

Haïti
Haïti
Haïti

A Creator of Universes

Frankétienne’s life was marked by his immense creative spirit. He was one of the greatest creators of worlds, an unparalleled inventor, pursuing the greatest in history in this field. He is one of the founders of a literary movement called Spiraliste, alongside Jean-Claude Charles and René Philoctète. But far beyond literature, for the man who was Minister of Culture under the presidency of Nesly François Manigat, creation and life are two inseparable sides of the same coin. This is why, alongside this richly literary life, in which he is simultaneously a poet, novelist, playwright, and essayist, he is also a painter, singer, and drummer. With so much, it seems impossible not to leave a mark on his country and his era.

Haïti
Haïti
Haïti

A Lover of Haiti

Frank remained a great defender of Haitian culture until the end of his life, elevated to the rank of permanent ambassador of this culture by the Haitian Ministry of Culture and Communication. But Frank wasn’t limited to culture. A graduate of the École Normale Supérieure of the State University of Haiti, he used this pretext to invest in education, notably by creating a school in his eternal neighborhood of Bel-Air. Frank demonstrated how much he loved his country with this feat. Because when you love your country, you don’t steal it, but rather you build schools within it for the education of its children. Moreover, those who love their country defend it and enhance its name. Frank had the courage to use his art to free his country from the ferocious and very costly dictatorship of the Duvalier regime. And the other great proof of his love for his country is the fact that he remained inhabited there until the end, even though he had more than enough means to continue his life in any major country in the world. A straightforward way of saying that when you love your country, you’re even willing to let yourself die in it. We can only salute this man’s courage. Port-au-Prince is the most dangerous city in 2024, according to some foreign experts; you flee a city like that if you have the means. Staying there to die, when you bear the name Frankétienne, is a proof of immeasurable love.

Haïti
Haïti
Haïti

Frank, the Thirsty for Greatness

Frankétienne aptly captures the marvelous side of the Haitian sun. He was a man who knew he was equal to the rest of the world and who set out to chase the stars. Frank said he was waiting for his Nobel Prize in Literature, because he rightly felt he was worthy of it, and waited patiently for this title from his residence in Delmas 31, telling himself he was a man who had built enough and left his mark on his time for that. If Bob Dylan, the wonderful American singer of his time, etc., received this Nobel Prize, why not Frank? For both were born men and very early on took possession of their right to become creators. Both took art seriously from the beginning of their youth. If Frank is the product of a small country, he told himself, at least his creation is the equal of that of any man. And nothing less.

This wonderful man strove, despite any false, demeaning tendency of his current country, to be a Man in the immediate lineage of his ancestors. To be a worthy successor in the great pride of Dessalin, Louvertur, and Christophe. And to extend into the great past figures like Louis-Joseph Janvier, Jean Price-Mars, Anténor Firmin, or Demesvar Delorme. Frank is a great symbol of rebellion against the baseness and mediocrity of our current Haiti, Frank has always been. A symbol of a wonderful scandal, stitched together from the wounds of this country brought low from the head. If only in this sense, this man, we must rely on the example of his life when we seek to honor him. His life and the great legacy he left behind should be held up as a model for all children around the world.

Timoun se Moun: A poetry competition to promote children’s rights in Haiti
Timoun se Moun: A poetry competition to promote children’s rights in Haiti

Timoun se Moun: A poetry competition to promote children’s rights in Haiti

A wounded country. Bent under the weight of a multidimensional crisis. Widespread violence. Hope slammed shut. A sacrificed generation. Children are increasingly threatened. They are increasingly confronted with all forms of vulnerability that hinder their overall development. ACTIF is launching the second edition of the "Timoun se Moun" poetry competition. A citizen initiative in which the organization uses writing as a springboard to build what life deprives Haitian children of. Pain can be turned into gold. For ACTIF (Community Action for Transformation and Formal Integration), poetry is a philosopher’s stone. Not only for this organization, but also for all those who believe that writing can help rekindle the stars. Faced with this urgent need for action, this is "an initiative to raise awareness, denounce, and affirm loud and clear that every child matters, every child deserves protection, hope, and a future," reads the competition’s descriptive document. So what do you intend to do with your human light? Through this competition, participants have the opportunity to engage in an act of resistance, like a cry of conscience to raise the voice of broken childhoods. Open from May 18 to June 18, "Timoun se Moun" is open to all Haitians living in the country and aged 18 and over. Texts must be submitted in Creole. Behind this initiative, ACTIF intends, on the one hand, to affirm our cultural and linguistic identity, and on the other, to enrich our Creole literature, promote it, and encourage creativity in our vernacular. The text must not exceed 500 words. The format chosen is PDF, Times New Roman font, size 12, and 1.5 line spacing. This competition aims to offer a touch of affection to these children who are the first victims of the country’s descent into hell. To evaluate the literary quality and essence of the submitted texts, a jury is composed of Ruthza Paul, Douglas Zamor, and Darly Renois. The former is a physician and winner of the first edition of this competition. The other two work in the fields of sociology, psychology, and literature. In addition to the "Jury Prize: 15,000 HTG + books + certificate" and "Audience Prize: 5,000 HTG + certificate + books" prizes, the best texts will be included in an anthology to be published by Éditions Répérages. It should be noted that there will be one winner for each prize. This initiative reflects ACTIF’s commitment to honoring authors who embrace the cause of underprivileged children while enriching Haiti’s literary heritage. This competition extends a helping hand to all those who believe that through poetry, one can transform one’s life into a masterpiece. At the same time, it offers the opportunity to contribute to ACTIF’s child protection program. Each participant may submit a single text. It must be sent by email to the following address: actifkonkoupwezi@gmail.com. The partial results will be published on June 30, 2025, and the final results on July 18, 2025. For more information, visit ACTIF at the following address: 18 Rue Desdunes, Imp. Thoby, Mahotière 79, Carrefour, Haiti, or contact the organization at the following number: (+509) 38 44 57 57. More than just a contest, ACTIF invites you to say No. No to forgetting. No to passivity. No to violence against children and the violation of their rights.

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About the Author
Moise Francois
Moise Francois
Moise Francois

Journalist editor, poet and apprentice lawyer.

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Haïti et son Rôle Pionnier dans l’Abolition de l’Esclavage Mondial

For centuries, the institution of slavery has darkened human history, leaving behind a legacy of pain, oppression and the struggle for freedom. However, in this dark tale, one nation stands out for its courage and determination to break the chains of oppression: Haiti. Located in the Caribbean, Haïti played a pioneering role in the abolition of slavery, laying the foundation for the fight for freedom and equality around the world. The history of slavery in Haïti dates back to the arrival of Europeans on the island, which was then called Santo Domingo, in the 15th century. French colonists quickly established an economy based on sugar and coffee production, cruelly exploiting millions of African slaves deported to work on plantations. However, this brutal system engendered fierce resistance from slaves, whose fight for freedom ultimately led to one of the most significant revolutions in history. In 1791, under the leadership of iconic figures such as Toussaint Louverture, Jean-Jacques Dessalines and Henri Christophe, Haitian slaves rose up against their oppressors in an unprecedented rebellion. This revolt resulted in a war of independence that lasted more than a decade, but ultimately resulted in the proclamation of Haiti’s independence in 1804, making that country the first post-colonial nation ruled by people from slavery. The impact of the Haitian Revolution on the abolition of slavery worldwide cannot be overstated. By breaking the chains of oppression and proclaiming their independence, Haitians have sent a powerful message to all oppressed peoples around the world: freedom is possible, and it is worth the struggle. The example of Haïti inspired other movements for the abolition of slavery in the Americas and beyond, thus helping to shake the very foundations of the institution of slavery. Haiti’s participation in the fight against slavery was not limited to its territory; it also extended to external actions where Haitian men were sent or actively participated in movements for the abolition of slavery in other regions of the world. For example, Haitian President Alexandre Pétion supported Simón Bolívar, the leader of the South American revolution, by providing him with weapons, money and even men, which contributed to the liberation of several countries in America Latin of colonial domination. Haïti also provided support for independence movements in Central America. Haitian fighters, led by General Jean-Pierre Boyer, helped Venezuelan patriots fight against Spanish rule, contributing to the liberation of that region. The Haitian government financially and diplomatically supported movements for the abolition of slavery in countries such as Venezuela, Colombia and Mexico, contributing to the gradual eradication of this institution throughout the region. Although Haïti did not directly participate in the American Civil War, many Haitians and descendants of Haitians played crucial roles in the abolitionist movement in the United States. Figures who were of Haitian origin or of Haitian ancestry, were important voices in the fight against slavery and for equal rights in the United States. The legacy of the Haitian Revolution remains a symbol of resistance and courage for future generations. Today, as the world continues to struggle against injustice and oppression in various forms, Haiti’s history reminds us that the fight for freedom is a universal fight, one that transcends borders and times. Haiti’s participation in the abolition of slavery throughout the world remains a crucial chapter in the history of humanity. Through their courage and determination, Haitians have paved the way for a future where freedom and equality are inalienable rights for all.

Pity or the work of an old soul crushed under the weight of an absinthe-flavored existence

The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values ​​that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.

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History

History

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Natural beauty

Natural beauty

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Heritage

Heritage

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

Culture

Culture

Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.

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