At the opening ceremony of the 2024 Olympic Games in Paris, Haïti captured the world’s attention with stunning outfits. Haitian athletes’ uniforms outshined those of many influential nations in fashion and design. This recognition is the result of an exceptional collaboration between visionary designer Stella Jean and internationally renowned artist Philippe Dodard.
Forbes confirmed it: Haïti has made it to the podium for the most remarkable outfits. But who is the man behind this visual triumph?
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Born in Port-au-Prince in 1954, Philippe Dodard showed a talent for art at a very early age. In 1966, he received first prize in drawing at the Petit Séminaire Collège Saint-Martial. He continued his artistic training at the PotoMitan art school under the direction of masters such as Jean-Claude "Tiga" Garoute, Patrick Vilaire and Frido Casimir. In 1973, Dodard entered the Académie des Beaux-Arts, where he developed his skills in drawing and graphic design.
In 1978, a scholarship from the International School of Bordeaux in France allowed Dodard to specialize in educational graphic design. Two years later, he received a scholarship from the Rotary International Foundation and went on tour with the Group Study Exchange of Haïti to give lectures on Haitian culture.
Dodard’s work has not gone unnoticed on the international scene. His paintings inspired the spring 2012 collection of American fashion designer Donna Karan, leading to a joint exhibition at the Museum of Contemporary Art in North Miami, Florida. He has participated in numerous biennials and exhibitions in the Caribbean, the Americas, Europe, Africa and Asia.
Dodard was also honored in 2018 at the inauguration of the Musée de la Civilisation Noire in Dakar, where he was decorated as a “Knight of the National Order of the Lion” by Senegalese President Macky Sall. His collection “Mémoire africaine” is now part of the permanent collection of the National Museum of Senegal.
Philippe Dodard’s painting that inspired Stella Jean for the Haitian athletes’ uniforms is titled "Passage". Part of a triptych dedicated to all the mothers of the world, this painting, from a private collection in Washington, was used as a basis to create outfits that combine art and culture, thus providing a global showcase for Haitian artistic excellence.
Philippe Dodard, with his unique artistic vision and impressive career, has managed to put Haïti in the spotlight during the 2024 Olympics. His work, in collaboration with Stella Jean, has not only highlighted Haiti’s cultural richness, but has also shown the world the depth and beauty of Haitian art.
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Dans le cadre du programme de promotion des droits et de l’épanouissement de l’enfant "Timoun se moun" piloté par l’organisation Action Communautaire de Transformation et d’Intégration Formelle (ACTIF), Kay Jèn Yo organise, du 18 au 24 août 2025 (9h am - 1h pm), "Espas Lajwa", un camp d’été qui cible trente (30) enfants de 7 à 15 ans. Une grande panoplie d’activités éducatives, créatives et ludiques sont programmées pour le plus grand bien des enfants. Ils auront droit à des ateliers de : peinture, crochet, macramé, langue des signes, théãtre, lecture, échec, etc. Dans un contexte aussi traumatogène où la violence est monnaie courante, de telles initiaves sont d’une importance capitale. " Les enfants ne sont pas imperméables au stress et autres pathologies que peut provoquer la situation morbide qui sévit dans le pays actuellement", souligne Blondy Wolf Leblanc (Gabynho) DG a.i de ACTIF. "Espace Lajwa se veut donc, un refuge, un lieu où les enfants peuvent s’exprimer en toute sécurité, un espace sécurisant où ils peuvent exprimer leurs émotions à travers plusieurs médiums", précise-t-il. Plus loin, l’animateur socioculturel encourage d’autres structures à travers le pays à prendre des initiatives de ce genre au bénéfice de la santé mentale des enfants. Espas Lajwa est quasiment gratuit. Un frais de participation de 150 gourdes est requis pour la semaine. Quid Kay Jèn Yo Issu du projet "Pran Swen Tèt ou", Kay Jèn Yo est un projet de l’organisation ACTIF supporté par La Perfection École de Haute Couture visant à combattre la violence par l’engagement communautaire à travers des programmes de formation professionnelle et artistique. Situé au numéro 18, imp. Thoby, rue Desdunes, Mahotière 79, Kay Jèn Yo est ouvert du lundi au dimanche (9h am - 6h pm). Sebastien Jean Michel
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For more than 200 years, Haïti has stood at the intersection of possibility and exclusion. The first black republic in the world was born in revolution, forged by boldness, and blessed with strategic geography. And yet, through a combination of political instability, external interference, and poor infrastructure, Haïti has long remained isolated from the global economic systems that build prosperity. But today, on the quiet northern coast between Fort-Liberté and Phaeton, a new possibility is rising up from the ground. It’s not another aid project. It’s not a symbolic ribbon-cutting. It is Port Chinourette Terminal, a bold and meticulously planned cargo port that could finally put Haïti back on the map, not as a beneficiary of generosity, but as a competitive player in global trade. Port Chinourette is more than a logistics terminal. It’s a strategic inflection point. The kind of once-in-a-century infrastructure investment that can create jobs, stimulate industries, decentralize growth, and transform the economy of an entire nation. With capacity to handle up to three-million TEUs annually by 2040, it is the most ambitious port project in Haiti’s recent history. But its true power lies not only in its size, but in what it unlocks.
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