Beyond the chaos, in the heart of the desolation, there are voices that resonate. They shatter the silence, depicting the macabre reality of everyday life in a thousand shards, thus defying evil to give meaning to life and make each day a place where hope flows like a stream of honey. Edison Juste’s voice is one of them: it sings of hope, of love, while praising God. It was in Carrefour, 27 years ago, that the young singer’s sun rose within a family of four children. Edison Juste is the youngest. Between the diplomat, the lawyer, and the entrepreneur that he is, singing remains his greatest passion for this young married man. Like many Haitian singers, Edison Juste took his first steps at a very early age in a choir—Yahvé Shama—alongside children his own age. He would later become the lead singer. This was in 2010. Asked about his first real encounter with music, he replied: q~It was in 2013 that I really started singing. It was during a competition organized by Styl Doz at the Évangélique de la Grâce church,~q, says the active member of the group YES (Yon Enstriman Sen), who also expresses his gratitude to singer Joseph Rhousteau, who inspired and coached him for several years. Edison Juste stands out not only for his style, but also for his versatility. His ability to make the notes vibrate with a moving candor seems limitless. Yet, he has his preferences: q~There isn’t a single style that characterizes me. I see myself as a liquid: I take the shape of the container. Even if I remain haunted by Worship, Compass, and Jazz, he confides. Today, the Carrefour native boasts a rich and varied musical repertoire. From 2010 to 2025, he has grown both in maturity and in renown: five competition wins, his first song recorded in 2018, joining the band YES, his participation in the second album, Se pou m beni, a collaboration with Amos César in a musical, and his contribution to the album Anprent by maestro Berwin Sydney. For him, this journey is already a great source of inspiration. Edison Juste never does without the presence of God, whether in the creative process or during his stage performances: "What influences and motivates me the most is always the presence of Elohim, and the audience’s desire to savor and appreciate my work," he says.
Born in Port-au-Prince on October 10, 2001, Jean Wood Jude is a young 23-year-old Haitian poet/slammer. His talent and determination in the pursuit of his poetic passion have allowed him to serve the cause of poetry and to be one of the best-known figures in the Haitian poetic world thanks to short videos broadcast on social networks. Apart from his artistic and literary activity, Jean Wood Jean is a student in social communication at the Faculty of Human Sciences (FASCH) within the State University of Haiti. Better known under the nickname Silent Poet, he has more than 200,000 followers on his social networks, and regularly publishes poems in French and Creole. The release of his collection entitled “waltz of a silent heart or Pantalèt Kè m” will only confirm the talent of this young artist.
It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse
Nestled in the southeast of Haiti, Belle-Anse is a destination that fascinates with its natural beauty and rich history. This small town, still often ignored by major tourist routes, is full of treasures that deserve to be discovered. Its wild beaches, its imposing mountains and its unique historical heritage make Belle-Anse a hidden pearl, ready to seduce travelers in search of authenticity and tranquility. Belle-Anse, founded in the 18th century, still bears the traces of its past. Its history, marked by changes of names and identity, bears witness to the political and social upheavals that have given the region. From the colonial era to the birth of the Republic, each corner of the city tells a part of the history of Haiti. This rich past is combined with a vibrant cultural life, where local festivals, such as the celebration of the Patron Saint every December 10, offer an authentic glimpse into the lives of the inhabitants. The historical remains scattered throughout the city are not only a reminder of the era of colonization, but also of the struggles for independence. These witnesses of the past, combined with a calm and preserved atmosphere, make Belle-Anse a place where history and nature intertwine harmoniously. What distinguishes Belle-Anse is undoubtedly its spectacular natural environment. Ultimately, these beaches before the deserts invite you to relax. Lagan Beach, lined with palm trees and crystal clear waters, offers an idyllic setting for lovers of wild nature, far from the crowds of more frequent tourist destinations. The nearby Bay of Jacmel is a true natural bliss, promising moments of calm and escape. The city is also surrounded by majestic mountains, ideal for those who wish to explore the Haitian landscapes on foot, while discovering a unique biodiversity. While Belle-Anse’s natural resources are rich, they are also fragile, and preserving these areas remains an important issue for the future of the region.
Haiti, a country rich in history and culture, is located in the heart of the Caribbean region. Known for its idyllic beaches, majestic mountains and welcoming people, Haïti is a true gem in this tropical region. But where exactly is Haïti located in the Caribbean, and what are the geographical features that define this fascinating country?
The publishing house Csimon Publishing, led by Dr. Cherlin Simon, is excited to announce the creation of a subsidiary of Csimon Publishing in Haiti. Indeed, a management team, aimed at strengthening its approach to young Haitian authors, has been set up by the parent company, located in Virginia, United States. The goal of this initiative is to better support its authors, particularly the younger ones, offering them reliable assistance to foster their creativity and help them thrive. The committee is also in place to better coordinate the publishing house’s actions in their favor. This aligns perfectly with Csimon Publishing’s vision to actively contribute to the elevation of Haitian literary culture on a global scale, while highlighting Haitian talents and creating a bridge between Haïti and the rest of the world, which constitutes global culture. It is worth noting that among the more than 150 works already published by Csimon, most are works by Haitian authors living in Haiti.
Perched in the heights, above the commune of Pétion-ville, the commune of Kenscoff is a jewel lit up above the metropolitan area of Port-au-Prince. The commune is located in the department of the West of Haiti, and is about 10 kilometers from the city center of Port-au-Prince, the capital of the country. The city of Kenscoff was founded in 1930, and was elevated to the rank of commune in 1934. The commune has an area of 202.76 square kilometers and is made up of five communal sections: Belle-fontaine, Bongars, Grand-fonds, Sourcailles. And Nouvelle-Touraine. Kenscoff is one of the most mountainous communes in Haiti.
Situated like an emerald in the heart of the Caribbean Sea, Haïti stands out as a true jewel where the pleasant tropical climate reigns supreme. This enchanting island, renowned for its idyllic beaches, lush green mountains and rich culture, is also blessed with year-round mild temperatures that make it a dream destination.
In Haiti, chaos is not a simple consequence of events, but a carefully crafted product of actors whose decisions—or lack thereof—worsen the crisis every day. At the head of this orchestration of failures is the Presidential Transitional Council (CPT), led by architect Leslie Voltaire since October 2024. Presented as a temporary solution to get Haïti out of its impasse, the CPT quickly proved ineffective and incapable of responding to the country’s urgent challenges.
Haïti made a splash on the world stage at the opening ceremony of the 2024 Olympic Games in Paris, captivating attention with stunning outfits. Hailed by Forbes as the third most remarkable and acclaimed by other magazines, the Haitian athletes’ uniforms surpassed those of many influential nations in fashion and design. This recognition is the result of an exceptional collaboration between visionary designer Stella Jean and internationally renowned artist Philippe Dodard. Today, let’s dive into the world of talented stylist Stella Jean.
Haiti, as a Caribbean nation rich in history and culture, has played a crucial role in the promotion and defense of human rights since its independence in 1804. The Universal Declaration of Human Rights (UDHR), adopted by the he United Nations General Assembly in 1948, embodies the fundamental principles of human dignity, equality and freedom for all individuals, regardless of their origin or status.
Haiti’s independence, proclaimed on January 1, 1804, marked a major turning point in world history. As the first independent black republic, Haïti laid the foundation for an exceptional legacy, forged through the struggle for freedom, dignity, and equality. This legacy extends far beyond the borders of this island nation, influencing generations and inspiring movements around the world.
Haiti, pearl of the Caribbean, is full of natural and cultural treasures that deserve to be explored. Among these treasures, the breathtakingly beautiful beaches occupy pride of place. Here is our selection of the 10 must-see beaches to visit in Haiti, offering unique and memorable seaside experiences.
First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.
Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.
Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.
Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.
