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Cathiana and Darlin highlight Haitian culture through their union

On August 24, 2024, in the heart of the sumptuous Manoir Adriana in Jacmel, Cathiana Désiré, a lawyer and feminist, and Darlin Johancy Michel, a producer and cultural operator, reinvented the Haitian wedding in a dazzling celebration of their roots. While traditional weddings often consist of white dresses and suits, this union was distinguished by its deep respect for Haitian traditions and its emphasis on a captivating spirituality.

Kre-Yole: A Platform that Promotes Local Production and Haitian Culture

Kre-Yole, a Haitian company dedicated to the promotion and sale of local, artisanal and agricultural products. Founded with the aim of highlighting Haiti’s cultural richness and unique talents, Kre-Yole positions itself as a sales channel allowing artisans, agricultural producers and others to share their creations with the world.

Petit-Goave, Haiti: Decryption of the 3rd rara weekend!

It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse

Pity or the work of an old soul crushed under the weight of an absinthe-flavored existence

The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values ​​that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.

Okap Dynamique Film: The New Generation Redefining Haitian Cinema

Discover how Okap Dynamique Film is transforming Cap-Haïtien into the capital of Haitian cinema with award-winning short films and inspired youth.

Haïti / Fort Saint-Joseph: Historical Vestige of the Resistance

Located in the Bay of Cap-Haitien, Fort Saint-Joseph stands like a silent guardian of Haiti’s tumultuous history. Built in two stages, in 1748 and 1774, this defensive work was once a crucial element of the city’s protection system against French colonial assaults. Alongside other forts such as Picolet and Magny, its mission was to control maritime passages and defend Haitian sovereignty. However, its history is not limited to its defensive function. In 1802, then under the control of General Henry Christophe, the fort became the scene of a heroic act of resistance. Faced with the French expeditionary army, Christophe ordered the destruction of the powder magazine and the entrance gate to the fort, thus rendering it temporarily unusable. This courageous gesture, although tactical, left indelible scars on the very structure of the fort, testifying to the fierce clashes between French colonial forces and Haitian resistance fighters. These historic marks, still visible today, offer a window into the country’s tumultuous past. They allow visitors and historians to interpret the fierce struggles that forged Haitian identity. Fort Saint-Joseph, as a witness to the resistance and the struggle for freedom, embodies the indomitable spirit of the Haitian people. Recognizing its historical significance, the Haitian government officially classified Fort Saint-Joseph as national heritage in 1995. This recognition paved the way for restoration efforts aimed at preserving this precious vestige of Haitian military heritage. Thanks to collaboration between the public sector and local private funding, the fort has recently been restored and enhanced. Thus, Fort Saint-Joseph remains much more than a simple stone structure. It is a living symbol of the resilience and determination of the Haitian people, reminding all visitors that Haiti’s history is deeply rooted in the struggle for freedom and human dignity. To virtually discover this jewel of Haitian history, you can visit the following link: https://haitiwonderland.com/haiti-virtual-reality-ht/monuments-histoire/haiti--fort-saint-joseph--visite- virtual/11

What is the Origin of the Haitian Creole Language? A History of Mixture and Resilience

The Haitian Creole language, or Kreyòl Ayisyen, is one of the most remarkable features of Haitian culture. Speaking Creole is not only about communicating, but also about asserting an identity, a heritage, and a history of resilience in the face of adversity. But where does this unique language come from? What is its origin and how did it become a symbol of Haitian culture? Let’s dive into the fascinating history of the Haitian Creole language.

Toupatou: The 100% Haitian Social Network Revolutionizing Local Digital Technology

In a digital world largely dominated by Facebook, Instagram, and TikTok, Haïti is witnessing the birth of an innovation that could well be a game-changer: Toupatou, a 100% Haitian social network. Designed by a young local talent, this project embodies both the ingenuity of Haitian developers and the desire to create a platform adapted to local needs.

Discover the Mupanah: A Historical and Cultural Treasure of Haiti

The Mupanah Museum, a true jewel of Haitian culture and architecture, is an essential stop for anyone wishing to explore the rich history of this country. Through its magnificent exhibitions, the Mupanah offers a journey through the centuries, from the times of the indigenous Tainos to the present day, passing through the era of slavery, independence and the different governmental periods of the Republic from Haiti.