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Living in prose and poetry: A successful bet for the Cultural Association Salon du Livre de Port-au-Prince
Living in prose and poetry: A successful bet for the Cultural Association Salon du Livre de Port-au-Prince
Living in prose and poetry: A successful bet for the Cultural Association Salon du Livre de Port-au-Prince

Living in prose and poetry: A successful bet for the Cultural Association Salon du Livre de Port-au-Prince

On Saturday, July 27, the Pyepoudre cultural center, located at number 312 on the road to Bourdon, was transformed into a real creative hive thanks to the initiative of the Cultural Association Salon du Livre de Port-au-Prince entitled ’’Living in prose and poetry’’. This event, placed under the theme "from Haiti, a country that lives in us", fully kept its promises. Bringing together young talents from all walks of life to express their genius through song, rap, slam, dance and poetry. This artistic event was a great success with a young audience who came in large numbers to follow the activity. It also highlighted the growing commitment of Haitian youth to culture.

A memorable day for the public

The first part of the day was enlivened by the intervention of the young poet and art history student at the UEH, Dakovens Paulin, followed by that of the cultural journalist Carl-Henry Pierre, who presented the novel "L’Autre face de la mer" by Louis-Philippe DAlembert.

The two speakers respectively took care to approach the novel in its sociological and psychoanalytical dimension in their interventions, they also offered the young audience the opportunity to reflect on the theme of exile and its importance in the life of the Haitian being. The conference ended with an enriching exchange between the speakers and the public. The rest of the day was marked by varied artistic performances that captivated an enthusiastic audience eager for such an event.

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A total success

The success of this activity bears the mark of another point of honor, in the very beautiful calendar of the Cultural Association Salon du Livre de port-au-prince. According to the organizers of the event, the objective was not only to promote young talents, but also to create a space conducive to the development of Haitian culture and to constitute a communication network between the talents of Port-au-Prince. "The second edition of Vivre en prose et en poésie was a great celebration, a beautiful cultural atmosphere. But also, a moment of reunion between some long-time comrades, some actors of the Haitian cultural environment. The feedback is positive. We are satisfied within the team with our achievement. Already, very much alive and ready for the future. We are for a strong and useful Haitian culture," declared Emmanuel Pacorme, the general coordinator of the association. Moreover, Marcus Jusma, a young sociology student at the U.E.H, declared that he had a pleasant time "in summary, I can say that this day was a great journey into the world of literature and culture of my country". he finally admitted, his face full of enthusiasm.

Another representation of Haitian youth

The Cultural Association Salon du Livre de Port-au-Prince embodies a part of Haitian youth that wants to be the bearer of a voice different from that associated with violence. At a time when Haitian youth is often reduced to an image of armed gangs defying public authorities, this association shows another side of Haiti. It demonstrates that the prospect of an alternative future for the country is possible thanks to a youth determined to promote literature, arts and culture.

The day of prose and poetry organized by the Cultural Association Salon du Livre de Port-au-Prince was a real success. It not only highlighted the talents of Haitian youth, but also strengthened the bond between young artists and the public. This second edition of "Living in Prose and Poetry" will remain a powerful testimony to the vitality and cultural richness that characterize Haïti in its deepest intimacy.

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About the Author
Moise Francois
Moise Francois
Moise Francois

Journalist editor, poet and apprentice lawyer.

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Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

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History

History

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Natural beauty

Natural beauty

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Heritage

Heritage

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

Culture

Culture

Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.

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