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A 100% Lakay Pap Jazz for 2025
A 100% Lakay Pap Jazz for 2025
A 100% Lakay Pap Jazz for 2025

A 100% Lakay Pap Jazz for 2025

On Tuesday, March 11, 2025, the Haïti Jazz Foundation officially announced the launch of the 18th edition of Pap Jazz during a press conference with festival partners, such as the Canadian Embassy, represented by H.E. Mr. André François Giroux, the French Embassy represented by H.E. Mr. Antoine Michon, the Spanish Embassy represented by H.E. Mr. Marco Peñin Toledano, and the Mexican Embassy, represented by Mr. Jesús Cisneros, Chargé d’Affaires ad hoc of Mexico in Haiti. The Bank of the Republic of Haiti, represented by Mr. Rotchild Jean François Junior and Mrs. Stéphanie St Louis from the Direction of Artistic and Literary Creation, Ministry of Culture and Communication, Mr. Joel Widmaier, Artistic Director of the festival, along with the General Director of the Haïti Jazz Foundation, took the time to explain the details of this 18th edition, including the logistical complexities involved in organizing the festival this year due to the country’s precarious security situation.
This edition will take place from March 20 to 22, 2025, across four venues: Quartier Latin, the Brazil-Haïti Cultural Center, the French Institute in Haiti, and the Karibe Hotel.

Pap Jazz IT UP

This year, the festival aims to be collaborative, inspiring, and 100% Lakay talent. According to the festival organizers, Pap Jazz IT UP is the new flagship concept to be showcased during this 18th edition of the festival. It is a concept that revisits Haitian music by infusing it with a touch of jazz, and several groups have been formed to offer unique performances to the public, especially during the exceptional evenings on March 21 and 22.

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A Rich and Varied Program

For this year, Pap Jazz has smartly used the country’s shutdown to highlight the local music scene. Indeed, while 100% local means a complete absence of major international music names due to logistical challenges, it also presents a golden opportunity to discover our talented young artists, who represent the future of the Haitian jazz scene. Alongside them, celebrities such as James Germain, Syto Cavé, who will transform into a slam artist for the occasion, Joel Widmaier himself, and the current sensation of root music in Haiti, the group Nanm Vodou, among others.

To discover the full program, visit their website: www.papjazzhaiti.org.

An Act of Resistance

It is clear that the country is going through one of the most difficult moments in its history. The moment is challenging to convey the universal message of harmony that could lie behind such a music festival, but precisely, this is where this year’s Pap Jazz aims to be an important act of resistance amid the enormous difficulties facing the city of Port-au-Prince. This gesture perfectly reflects the resilience of the Haitian people, who refuse to be exclusively defined by the image of the surrounding chaos. Committed initiatives such as Jazz for Timoun (a moment of music and joy in a displaced persons camp due to insecurity), The Walls of Commitment, where one can leave a word or a promise for their neighborhood, city, or country, are gestures that demonstrate the festival’s heightened awareness of the deteriorating situation in Port-au-Prince, the festival’s host city.

Haiti: A look back at the First Rara Weekend in Petit-Goave
Haiti: A look back at the First Rara Weekend in Petit-Goave

Haiti: A look back at the First Rara Weekend in Petit-Goave

Haitian culture is a true treasure, woven from the creativity of its artists, its rich heritage and the diversity of its cultural expressions. Among these cultural gems, the rara stands as a true national emblem, uniting Haitians through its captivating rhythms and centuries-old traditions. During the first Rara weekend, this very essence of Haitian culture shone brightly, revealing palpable social cohesion. Despite the absence of law enforcement, tranquility reigned in Petit-Goâve, testifying to the ability of citizens to come together in peace and conviviality. However, media attention was mainly focused on the first plain, leaving a certain imbalance in the coverage of the festivities. Ratyèfè, three-time reigning champion, once again captivated minds with his talent and artistic mastery, offering an unparalleled spectacle. But his rival, Lambi gran dlo, was not to be outdone, displaying a determination to compete for first place. The event was also marked by unfortunate incidents, reminding us that despite the beauty of tradition, tensions can arise. Clashes between fans of different groups tarnished the festive atmosphere, highlighting the need for careful management of celebrations to avoid such excesses. At the heart of this musical competition, where each group aspires to recognition and victory, a complex picture of rivalries and alliances emerges. Chenn tamarin, although appearing asleep in the first moments, shows signs of waking up, ready to shake up the established order. On Sunday evening, Lambi gran dlo honored the memory of one of its loyal supporters, while Grap Kenèp was the scene of violence between fans, recalling the fragility of social cohesion when passion runs wild. In this whirlwind of emotion and competition, it is crucial to keep in mind that it is the journalist who must look to the events, and not the other way around. This is how we draw up the first ranking for this first weekend: 1. Ratyèfè 2. Lambi grand dlo 3. Chenn tamarind Beyond the results, it is the preservation of unity and mutual respect that must remain at the heart of these celebrations, making the rara not only a musical festival, but above all a symbol of the wealth and resilience of the people Haitian.

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About the Author
Moise Francois
Moise Francois
Moise Francois

Journalist editor, poet and apprentice lawyer.

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Colby

Merci François !

March 15, 2025 - 09:15:29 PM
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