Haiti: Between Contrasting Geography and Natural Wealth

Guédés: When Haïti celebrates its ancestors with color and fervor

Every November 1st and 2nd, Haïti comes alive with the colors black and purple to celebrate the Guédés, spirits venerated in the voodoo religion, symbols of a powerful bond between the living and the dead. Fascinating, indomitable and provocative, the Guédés form a true family in the pantheon of Haitian voodoo, where they are respected for their role as spiritual guides of the deceased to the afterlife. Led by iconic figures such as the legendary Baron Samedi and his companion Grann Brigitte, the Guédés embody the paradoxes of life and death. Each Baron has a unique personality: Baron Cimetière, Baron Kriminel, and Baron La Croix are the guardians of the souls that wander on the borders of the world of the dead. Together, they form a powerful and somewhat frightening presence, but one that is deeply rooted in Haitian culture. The Guédés are not like other voodoo spirits; they demonstrate their fearlessness in a spectacular way. Accustomed to death, they are fearless and are provocative: they eat glass, raw peppers, and coat their sensitive parts with rum and pepper. These gestures mark their indifference to danger and remind us that they have already known earthly life. They are thus psychopomps – these beings who lead the souls of the dead – and act as bridges between the world of the living and that of the dead. Some Guédés, like Guédé Nibo, wear black, purple, and white clothing, each with unique characteristics. They are many and varied: Guédé Fouillé, Guédé Loraj, Papa Guédé, and many others. These are the spirits who, each year, remind Haitians of the importance of remembering and honoring the deceased. The cult of the Guédés is not only religious; it is also cultural and historical. According to tradition, their spiritual territory, or “Fètomè” – nicknamed the “Country without Hats” – is a place where the souls of ancestors reside. According to stories, the origins of this cult go back to the Abomey plateau, the ancient capital of the kingdom of Dahomey, in Africa, where death and life coexist in a form of symbiosis. This celebration in Haïti even finds echoes in ancient history. The Romans also honored their dead with the “Fête des Lémuria”, which took place in February, to ward off spirits and restore peace between the world of the living and that of the deceased. For Haitians, honoring the Guédés is about accepting death as a part of life and celebrating the invisible bonds that unite us with those who have left us. It is also a way of resisting, because life, despite its challenges, must be celebrated in all its complexity and depth.

Jennifer EUGÈNE: A Pen in Service of Humanity

Jennifer EUGÈNE was born in Port-au-Prince on May 1st, 1995. She is an author and lawyer by training, and she skillfully combines her two passions: the defense of human rights and writing. From a young age, she found shelter and refuge in words, offering solace against a world that is often too chaotic and difficult. While other young people of her age shared their lives out loud, she immersed herself in her own universe, that of writing. At the age of fourteen, writing became for her more than just a hobby: it became a means of finding inner peace, overcoming struggles, and understanding herself. It was in this context that she found her true vocation.

Tourism in Haiti: A destination full of surprises

Haiti, often overlooked as a tourist destination, has a unique charm that seduces visitors in search of authenticity, history and breathtaking landscapes. With its heavenly beaches, rich historical heritage and vibrant culture, Haïti offers an unforgettable experience. Let’s dive together into the best that tourism in Haïti has to offer.

Launch of the Engagement Award: An Initiative to Honor and Encourage Young Leaders in Haiti

August 29, 2025, will mark two exceptional events: the eighth anniversary of Pierre Marc BAPTISTE’s commitment as a young leader and social and political activist, and the official launch of the Engagement Award. This unique initiative aims to honor and encourage young leaders, professionals, and academics for their dedication and active involvement in community life. The Engagement Award’s mission is to recognize youth leadership, promote civic engagement, and highlight inspiring role models capable of positively influencing an entire generation. Through this award, Pierre Marc BAPTISTE hopes to encourage young people to get involved in concrete actions aimed at solving community problems, reducing social inequalities, and strengthening civic participation. The first edition will be particularly symbolic. Eight young leaders from the Cité Soleil plain will be honored for the social and community impact of their initiatives. In a concrete gesture of solidarity and knowledge sharing, 200 books will also be donated to the Duvivier High School library in Cité Soleil, contributing to the education and training of future generations. With this award, Pierre Marc BAPTISTE reaffirms his belief that youth engagement is an essential lever for social and political change in Haiti. This is a unique opportunity to celebrate those who are taking action to transform their community, while inspiring other young people to follow the path of action and leadership. On August 29, 2025, Haitian youth will be honored, and a new tradition of recognition and inspiration will be established to promote civic engagement and responsibility throughout the country.

Pity or the work of an old soul crushed under the weight of an absinthe-flavored existence

The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values ​​that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.

Haïti / Fort Saint-Joseph: Historical Vestige of the Resistance

Located in the Bay of Cap-Haitien, Fort Saint-Joseph stands like a silent guardian of Haiti’s tumultuous history. Built in two stages, in 1748 and 1774, this defensive work was once a crucial element of the city’s protection system against French colonial assaults. Alongside other forts such as Picolet and Magny, its mission was to control maritime passages and defend Haitian sovereignty. However, its history is not limited to its defensive function. In 1802, then under the control of General Henry Christophe, the fort became the scene of a heroic act of resistance. Faced with the French expeditionary army, Christophe ordered the destruction of the powder magazine and the entrance gate to the fort, thus rendering it temporarily unusable. This courageous gesture, although tactical, left indelible scars on the very structure of the fort, testifying to the fierce clashes between French colonial forces and Haitian resistance fighters. These historic marks, still visible today, offer a window into the country’s tumultuous past. They allow visitors and historians to interpret the fierce struggles that forged Haitian identity. Fort Saint-Joseph, as a witness to the resistance and the struggle for freedom, embodies the indomitable spirit of the Haitian people. Recognizing its historical significance, the Haitian government officially classified Fort Saint-Joseph as national heritage in 1995. This recognition paved the way for restoration efforts aimed at preserving this precious vestige of Haitian military heritage. Thanks to collaboration between the public sector and local private funding, the fort has recently been restored and enhanced. Thus, Fort Saint-Joseph remains much more than a simple stone structure. It is a living symbol of the resilience and determination of the Haitian people, reminding all visitors that Haiti’s history is deeply rooted in the struggle for freedom and human dignity. To virtually discover this jewel of Haitian history, you can visit the following link: https://haitiwonderland.com/haiti-virtual-reality-ht/monuments-histoire/haiti--fort-saint-joseph--visite- virtual/11