Young Activists Summit: A connected and committed youth for the future of Haiti!

Carrefour: Launch of the 18th edition of Week-end Poétique

After "No to violence", the theme of the previous edition, "I read, I grow" is the theme around which the 18th edition of Week-end Poétique will take place, scheduled for January 31, 2025 at Carrefour. As a special guest, this edition will welcome Jean-Rony Charles, author of Pitié, a short story that, in its depth, focuses on the human condition, in particular the precarious life situations that many people face on a daily basis. Exhibitions, workshops, performances and book signings are among the various activities on the program for this 18th edition. The Week-end Poétique is not only a relaxing activity, but a real space for engagement, offering activities that have a direct impact on the Carrefour community. Events of a social, cultural, artistic, literary, etc. nature constitute its heart and contribute to enriching local life.

What Continent is Haïti on? A Geographical Exploration of This Caribbean Island

Haïti is a small country located in the Caribbean, but what continent is it actually on? Although Haïti is often associated with tropical islands and paradise vacation destinations, its geographical location makes it a key part of the American continent. Let’s explore Haiti’s geographical location and its relationships with other nations in the Americas.

Carrefour | Kwen Pawòl Lib: towards the 19th exit

Kwen Pawòl Lib is preparing to start the new year in style. The nineteenth exit, the first of the year, is scheduled for this Thursday, January 9, 2025 at 4:30 p.m. at Caroline Bar, Mon Repos 38, Carrefour. This socio-cultural initiative, which aims to bring together people of all ages, offers a space for dialogue where participants can exchange and reflect on societal, environmental, etc. topics and issues. For this edition, Kwen Pawòl Lib will have the honor of welcoming a distinguished speaker: Gutenberg Destin. A psychologist by training, Gutenberg Destin is one of the instigators of Ribanbèl Timoun, a space dedicated to the well-being and relaxation of children. Sensitized to environmental issues, he is currently pursuing studies in geography at the University Institute of Sciences and leads numerous training courses for national and international institutions, including UNESCO, on risk and disaster management. Alongside Jean Rony Charles, who will moderate this 19th issue, the discussion will focus on the theme: "Natural disasters do not exist...". This meeting promises to be rich and essential, especially in a context where Haïti is among the most vulnerable countries facing environmental challenges. Come in large numbers! Author: Estriplet Millor Restitution of the content creation workshop: Carrefour, behind the scenes.

AsProNote: An innovative educational platform for Haitian schools

In a country where many schools lack digital resources, a local and adapted solution stands out: AsProNote, an educational platform developed by Fedner Michel, an active member of the Coding Club Carrefour.

The 50s parade in Cap-Haïtien for a historic anniversary

To mark the 345th anniversary of Cap-Haïtien, Okap Fashion Men is organizing an exceptional event: a fashion day dedicated to the 50s. This unique event immerses participants in the elegance of a bygone era, where sophistication and refinement were at the heart of fashion.

Pity or the work of an old soul crushed under the weight of an absinthe-flavored existence

The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values ​​that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.