Haitian rhythms: Exploring musical and dance traditions

R.V.C, a Christian institution of reference in Haiti.

Rendez-vous Christ (R.V.C) is a network of churches and Christian institutions gathered under the leadership of Reverend Pastor, Dr. Julio Volcy. The network consists of campuses located in Delmas 75, Caseau, Jérémie, and Cap-Haïtien. RVC supports these churches and other Christian charitable institutions to fulfill its mission among the Haitian population. Rendez-vous Christ is preparing to celebrate its 9th anniversary on March 23. On this occasion, the church plans to visit prisoners, sharing the good news of the Gospel, eating with them, and offering other gifts.

These traditional Haitian festivals you must experience at least once

Haiti, an island of culture and history, is much more than a beach destination. It vibrates to the rhythm of its traditions, its music, its dances, and especially its traditional festivals. If you’re looking for an authentic experience, these events are the perfect opportunity to immerse yourself in the soul of a proud, warm, and creative people. Here is a selection of the must-see traditional Haitian festivals that every traveler should experience at least once.

Haïti Music: Haitian artist Rutshelle Guillaume crowned “Best Caribbean Artist” at the Trace Awards & Festival 2023

The international music scene buzzed with excitement on Saturday, October 20, 2023 when talented Haitian singer Rutshelle Guillaume was crowned “Best Caribbean Artist” at the prestigious Trace Awards & Festival 2023, held in Kigali, Rwanda. This award recognizes a remarkable career and a significant contribution to the evolution of Caribbean music. Rutshelle Guillaume is an artist who has captured the hearts of music lovers thanks to her undeniable talent and her numerous quality productions. The Trace Awards & Festival is an event renowned for its promotion of Afrocentric music and culture. It is a platform that celebrates the musical diversity of the Caribbean while highlighting the creativity of the region. Caribbean artists are honored for their exceptional contribution to the enrichment of world music. Rutshelle Guillaume’s victory at this prestigious event is not only a tribute to her talent, but also a recognition of the richness of Caribbean music and its ability to transcend geographical boundaries. The Haitian singer knew how to embody this musical diversity and touched the hearts of many listeners around the world. Her career, marked by memorable titles and collaborations with other talented artists, has made her an ambassador for Caribbean music on an international scale. His commitment to promoting Haitian and Caribbean culture has helped strengthen ties between artists in the region and the rest of the world. Rutshelle Guillaume continues to inspire many emerging artists and show that passion, talent and dedication can lead to extraordinary achievements. His victory at the Trace Awards & Festival 2023 is a well-deserved tribute to his influence and undeniable contribution to Caribbean music. Ultimately, Rutshelle Guillaume’s recognition as "Best Caribbean Artist" at the Trace Awards & Festival 2023 is a reminder of the power of music to unite cultures and celebrate artistic diversity. It is a historic moment for the Haitian artist and a source of pride for the Caribbean as a whole. Rutshelle Guillaume continues to be an inspiration to many artists and music lovers around the world, and her music will live on as a testament to her incredible talent and dedication to her art.

PAQÉMO, music in the Service of Education and Hope in Haiti

PAQÉMO, short for "Projet Artistique de Quartiers et Éducatif Musical en Orchestre" (Neighborhood Artistic and Educational Orchestral Music Project), is an ambitious initiative launched in 2022 by the Association Musicale et Éducative à Vocation Sociale (AMEVS), co-founded by Jéricho Pierre-Noël and Cecilia Madolena Clénard, Haitian students at Sorbonne University. Today, the project includes other names such as Sargine Any Melissa Bernard, Mohamed Etamine, Ege Tarik Eken, Youssef Naccache, and Sohann List Massaregli, all Sorbonne students dedicated to promoting access to musical education in Haiti—particularly classical music—as a tool for holistic development. The goal of PAQÉMO’s founders is to use music as a means of education, inclusion, and social transformation, integrated alongside the traditional Haitian school curriculum.

Fontamara: Intensive Entrepreneurship Training for 50 Young People with LESPWA POU DEMEN

LESPWA POU DEMEN: a unique program that aims to train 50 young people from Fontamara in entrepreneurship and economic autonomy.

The Republic of the Stateless?

Haïti is making headlines all over the world. And it’s not good news. The exploits of Haitians rarely generate so much interest, but we always tend to point out the excesses, spill ink to stir up thorns in the side, broadcast on loop to relay the chaos that is raging. There is hardly any media to make amends for the resilience of this cornered people. No one to highlight the fierce resistance that serves as fuel for this people hanging in the gorges of death. And what if it was to a certain extent the only way to talk about this country to finally attract attention? It is July 26, 2024. The Olympic Games have just started in France. The 33rd Olympiad of modern times. Without realizing it, according to Forbes Magazine, Haïti ranks among the ten nations with the best costume, proudly pointing to third place. At the same time, miles away from France, on “The Island of Skillfully Orchestrated Chaos,” Haitians do not even realize how much this recognition borders on irony. A paradox whose unpopular evocation is likely to greatly displease. An aerial image shows the city of Paris in all its splendor, illuminated like the gates of paradise, reflecting all the grandeur of France, all the magnificence it has acquired over the centuries, without forgetting the contribution of the blood shed by the horrible machine of colonization. I close my eyes, I go back in time, I see again this boy left to his own devices, lost without even knowing it, doomed to failure without even understanding it. And then there are the others. Boys in the same situation, or worse. Banished from society, they do not know what life has in store for them. They form the elegant class of the marginalized, in their quality of scoundrels, good-for-nothings, and thugs who spoil the splendor of society. This contrast challenges me, and I wonder for a moment if those who live the chaos from the outside grasp the stakes and the reality of the situation. Moreover, it seems to me that even the majority of Haitians living in the territory have no notion of the fundamental and essential aspects of the situation.