Haiti’s largest plateau is the Central Plateau. This vast territory, located in the central region of the country, is an emblematic area of Haiti’s environment, rich in natural resources, history, and agricultural potential. In this article, we will explore the characteristics of this plateau that make it an essential region for understanding Haiti.
Haïti is a small country located in the Caribbean, but what continent is it actually on? Although Haïti is often associated with tropical islands and paradise vacation destinations, its geographical location makes it a key part of the American continent. Let’s explore Haiti’s geographical location and its relationships with other nations in the Americas.
Haitian cuisine is full of flavors, colors, and aromas that reflect the country’s history and cultural diversity. Among the most iconic dishes, "Diri sòs pwa ak legim" (rice, pea sauce, and vegetables) stands out as a true culinary treasure. This dish is much more than just a meal: it symbolizes the sharing, tradition, and creativity of Haitians. In this article, let’s discover why this dish is so popular and what makes it an icon of Haitian gastronomy.
The Haitian carnival, an emblematic and essential celebration of the country’s festive calendar, is much more than a simple party. It embodies the very essence of Haitian culture, joyfully blending ancestral traditions, intoxicating music and a deep sense of community. Each year, this vibrant celebration transforms the streets into a vibrant and colorful spectacle, attracting thousands of participants and spectators eager to take part in this one-of-a-kind celebration. Haitian carnival has deep roots in the country’s history, dating back to colonial times. It has evolved over the centuries, incorporating elements of African, French and Creole culture to create a distinct and captivating celebration. The carnival period in Haïti traditionally begins in January and culminates with extravagant festivities that take place over several days. One of the most striking features of the Haitian carnival is the profusion of colors. Traditional costumes, called "masks", are elaborate and beautifully designed. They feature vivid patterns and vibrant decorations, creating a vivid picture of Haitian cultural identity. Participants, dressed in these elaborate costumes, parade through the streets to the sound of lively music, creating an electric atmosphere. Music is at the heart of the Haitian carnival. The captivating rhythms of compass, rasin, rara and other local musical genres resonate throughout the city, inviting people to dance to the rhythm of the party. Orchestras parade through the streets, accompanying the dancers and creating a unique symbiosis between the music and the graceful movements of the participants. The Haitian carnival parade is not just about the music and costumes; it also celebrates the richness of street arts. Talented artists create giant sculptures, art installations and theatrical performances that tell deep stories of Haitian history and culture. These artistic expressions contribute to the transmission of values and stories that shape the identity of the Haitian people.
The impact of collective and individual trauma on the personal development of young people in Port-au-Prince While writers, actors, dancers, poets, among others, have gratified us with their performances, the master’s degree student in psychology at the Faculty of Human Sciences (FASCH), Lourdya Blaise, spoke with the audience about trauma. Structured around the theme "Youth and Trauma, analysis of the impact of collective and individual trauma on the personal development of young people living in Port-au-Prince between 2010-2024", this conference gave rise to enriching discussions. During this meeting, moderated by Michaël Formilus, Ms. Blaise showed how the events that have taken place in the country have caused cases of trauma among Haitians. According to the student, citing the American Psychological Association, we speak of trauma as a consequence of trauma. The latter is explained by the fact that we feel threatened, whether it is the person in question or their loved ones. However, she specifies that a collective trauma remains depending on the impact that the event has on the individual. To illustrate her remarks, she mentioned the earthquake of January 12, 2010, considered a collective trauma, insofar as it still occupies our minds. This tragedy reminds us of the disappearance of our loved ones and enormous losses. This is the case of a trauma that becomes a collective trauma. For the student, it should be emphasized that when an event occurs, some people are traumatized and others are not. According to him, the violence of armed gangs is not perceived in the same way, says Ms. Blaise. There are people who have fled their homes but are not traumatized. In fact, some people see traumatic situations as a passing event, she says. The speaker also spoke about collective trauma, which, according to him, preoccupies the mind, even if we no longer experience it. It manifests itself in several forms: lack of sleep, fear psychosis, intrusive thoughts, intense heartbeat, etc. Generally, symptoms related to trauma are hard to die. When it persists, it becomes acute stress. To deal with it, we must talk to other people. If the situation persists, acute stress turns into a phase of post-traumatic stress; in this case, we must confide in a trusted person or go see a mental health specialist, she advises. In her presentation, Lourdya Bazile also drew attention to the psychological state of children in these times. According to the presenter, children are also facing this crisis situation, even if they do not talk about it to their parents. As much as adults, children also plan their future. Faced with flouted school years, they become pensive and worried, she stressed. They withdraw. The child who used to be brilliant can become violent and perform less well at school. Parents are called upon to listen to them and understand them. A good moment of exchange, rich in practical advice. The audience participated fully. In turn, the presenter invites them to breathe better and meditate. "We live in a country where worries mix, we must take time for ourselves, do sports, eat well, make sure that the sleeping space is clean and take time for ourselves. There is more than one way to find calm," recalls the psychologist. Gertrude Jean-Louis
Elephant Haitian music and film icons Rutshelle Guillaume and Blondedy Ferdinand are adding another string to their bow with the launch of "RGGlow," a premium skincare brand. This unprecedented collaboration reflects their shared commitment to female empowerment and the celebration of beauty in all its diversity. Set to launch on December 12, 2024, the "RGGlow" line promises products designed to nourish, rejuvenate, and brighten the skin. Made with quality ingredients, "RGGlow" products aim to meet the specific needs of women looking for effective and elegant solutions for their beauty routine. The official launch will take place during an exclusive event at Blondedy Ferdinand Studio, starting at 5 p.m. The event will bring together celebrities, beauty professionals, and fans to celebrate this unique initiative. This is an anticipated moment that will mark the beginning of an ambitious and inspiring project. Beforehand, an exclusive live will be broadcast on December 11 at 7 p.m. on all platforms, allowing the general public to discover the behind the scenes of this entrepreneurial adventure. Rutshelle Guillaume and Blondedy Ferdinand will share the inspirations behind RGGlow, while revealing some secrets about the products that make up this range. This project represents much more than a simple cosmetics brand. RGGlow positions itself as a symbol of unity and determination, carried by two powerful and influential figures. Through this collaboration, Rutshelle and Blondedy wish not only to offer quality products, but also to convey a strong message: every woman deserves to feel beautiful, radiant and confident.
At the 47th Ordinary Meeting of the CARICOM Conference of Heads of State and Government, Haïti took an important step by joining the CARICOM Reparations Commission. Dominique Dupuy, Haiti’s Minister of Foreign Affairs, announced this development following her meeting with Rector Fritz Deshommes. On the international stage, Ms. Dupuy stated: “Following my meeting with Rector Fritz Deshommes, regarding the creation of a Working Group at the UEH on Reparations and Restitutions Related to Slavery and Haitian Independence, we have brought the matter to the 47th Ordinary Meeting of the CARICOM Conference of Heads of State and Government, in which I am taking part alongside President Edgard Leblanc Fils.” This Working Group will sit as the Haitian National Committee within the CARICOM Reparations Commission. “Haïti now joins the CARICOM Reparations Commission where this Working Group will sit as the Haitian National Committee,” added Dominique Dupuy. This initiative represents a crucial step for Haiti, marking its active engagement in regional discussions on historical reparations and restitution.
Cap-Haïtien, Haiti’s historic jewel, is home to a fascinating architectural relic: Fort Picolet. Built at the end of the 18th century by the French, this imposing bastion majestically dominates the bay of Cap-Haïtien, bearing witness to the tumults of Haitian history and the fierce struggle for independence. The history of Fort Picolet is closely linked to that of Haiti, particularly at the time of the Haitian Revolution. During this tumultuous period, when slaves and freedmen rose up against colonial oppression, the fort was the scene of epic battles and fierce sieges. Sometimes used by French forces, sometimes by Haitian revolutionaries, Fort Picolet was a silent witness to the events that shaped the destiny of the nation. Designed with a strategic vision, the fort embodies the military architecture of its era. Its thick stone walls, strategically positioned cannons and viewpoints overlooking the bay make it an impregnable bastion. Its name, Fort Picolet, pays homage to General Louis Marie, Marquis de Picolet, French governor of Cap-Français at the end of the 18th century. Today, Fort Picolet remains much more than a simple historical monument. It is a living symbol of the resilience and determination of the Haitian people. Visitors who wander through its ruins can feel the imprint of history and contemplate the remains of a tumultuous past. From up there, a panoramic view of the bay of Cap-Haitien is available to them, offering a unique perspective on the strategic importance of this place in the maritime history of Haiti. As a pillar of Haitian tourism, Fort Picolet attracts visitors from around the world. Its historical aura, combined with the natural beauty of its environment, makes it a must-see destination for history and culture lovers. More than just a tourist attraction, Fort Picolet is a poignant testimony to the endless struggle for freedom and the cultural richness of Haiti. Throughout the centuries, Fort Picolet has survived the test of time, reminding everyone that freedom is an inalienable right, hard won and carefully preserved. By exploring its ramparts, contemplating its silent cannons, visitors find themselves immersed in the tormented history of Haiti, a story of courage, resistance and hope. Live an extraordinary experience by virtually visiting the ruins of Fort Picolet: https://haitiwonderland.com/haiti-virtual-reality-ht/monuments-histoire/haiti--fort-picolet--visite-virtuelle/14
Haiti, this vibrant and characterful country, is located in a fascinating region of the world. Although many know it as an island state in the Caribbean, one question often comes up: in which continent is Haïti located? This article provides you with the answer while exploring the unique geographical and cultural identity of this jewel of the Antilles.
Dedikas is an initiative taken by the young Haitian slam poet, Jean Wood Jude, better known as the Silent Poet. It is a cultural event that highlights poetry and music in the heart of Port-au-Prince. The event aims to offer a space for expression to young artists, especially those evolving in the Haitian slam scene. Dedikas has already taken place twice, and a third edition is planned for Saturday, December 22, 2024, at the Soho premises, located at Delmas 41, number 16, from 2:30 p.m. to 7:00 p.m. This new edition follows on from the first two, which took place respectively on October 8 and December 20, 2023.
It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse
King Graph, Prévil Jean IVens by his real name, is a talented young GRAPHIC DESIGNER and COMMUNITY MANAGER from Haiti. He was born in Delmas, a suburb of Port-au-Prince, on January 20, 1999. He is the youngest of seven children.
A wounded country. Bent under the weight of a multidimensional crisis. Widespread violence. Hope slammed shut. A sacrificed generation. Children are increasingly threatened. They are increasingly confronted with all forms of vulnerability that hinder their overall development. ACTIF is launching the second edition of the "Timoun se Moun" poetry competition. A citizen initiative in which the organization uses writing as a springboard to build what life deprives Haitian children of. Pain can be turned into gold. For ACTIF (Community Action for Transformation and Formal Integration), poetry is a philosopher’s stone. Not only for this organization, but also for all those who believe that writing can help rekindle the stars. Faced with this urgent need for action, this is "an initiative to raise awareness, denounce, and affirm loud and clear that every child matters, every child deserves protection, hope, and a future," reads the competition’s descriptive document. So what do you intend to do with your human light? Through this competition, participants have the opportunity to engage in an act of resistance, like a cry of conscience to raise the voice of broken childhoods. Open from May 18 to June 18, "Timoun se Moun" is open to all Haitians living in the country and aged 18 and over. Texts must be submitted in Creole. Behind this initiative, ACTIF intends, on the one hand, to affirm our cultural and linguistic identity, and on the other, to enrich our Creole literature, promote it, and encourage creativity in our vernacular. The text must not exceed 500 words. The format chosen is PDF, Times New Roman font, size 12, and 1.5 line spacing. This competition aims to offer a touch of affection to these children who are the first victims of the country’s descent into hell. To evaluate the literary quality and essence of the submitted texts, a jury is composed of Ruthza Paul, Douglas Zamor, and Darly Renois. The former is a physician and winner of the first edition of this competition. The other two work in the fields of sociology, psychology, and literature. In addition to the "Jury Prize: 15,000 HTG + books + certificate" and "Audience Prize: 5,000 HTG + certificate + books" prizes, the best texts will be included in an anthology to be published by Éditions Répérages. It should be noted that there will be one winner for each prize. This initiative reflects ACTIF’s commitment to honoring authors who embrace the cause of underprivileged children while enriching Haiti’s literary heritage. This competition extends a helping hand to all those who believe that through poetry, one can transform one’s life into a masterpiece. At the same time, it offers the opportunity to contribute to ACTIF’s child protection program. Each participant may submit a single text. It must be sent by email to the following address: actifkonkoupwezi@gmail.com. The partial results will be published on June 30, 2025, and the final results on July 18, 2025. For more information, visit ACTIF at the following address: 18 Rue Desdunes, Imp. Thoby, Mahotière 79, Carrefour, Haiti, or contact the organization at the following number: (+509) 38 44 57 57. More than just a contest, ACTIF invites you to say No. No to forgetting. No to passivity. No to violence against children and the violation of their rights.
Nestled in the enchanting embrace of Haiti’s North East department lies a true marvel – Caracol. This picturesque area is more than just a destination; it’s a sanctuary where tranquility dances in harmony with the gentle whispers of nature. From the chirping of content birds to the warm smiles of its inhabitants, Caracol is a true wonderland waiting to be explored. One of the most captivating aspects of Caracol is its serene ambiance. Here, peace isn’t just a concept; it’s a way of life. Even the birds seem to sing with an extra ounce of joy, as if they’ve found their own slice of paradise amidst the lush greenery. Stepping into Caracol feels like entering a world where time slows down, allowing you to embrace the simple pleasures of life. But what truly sets Caracol apart is its people – kind-hearted souls who find solace in the simplicity of their daily lives. Engaged in activities like fishing and gardening, they embody a deep connection to the land that sustains them. And amidst it all, the industrious spirit of Caracol shines through, with the industrial parc serving as a beacon of progress and opportunity for the community. Yet, amidst the tranquil rhythm of everyday life, Caracol pulsates with the vibrant energy of Haitian culture. Voodoo, an integral part of local life, weaves its mystical threads into the fabric of daily rituals and traditions. And come July, the entire community comes alive with patronal celebrations that draw Haitian diaspora from every corner of the globe. It’s a time of joyous reunions, where cultural immersion meets spirited competitions, from exhilarating running races to thrilling boat races on the sparkling waters. As the sun sets on another day in Caracol, the excitement doesn’t end – it transforms. Carnival season, known as "mardi gras," casts its spell over the land, igniting the imaginations of children who eagerly don disguises and wield whips to make merry mischief. Laughter fills the air as they chase each other, their gleeful shrieks echoing through the streets, creating memories that will last a lifetime. In Caracol, every moment is a celebration, every day a testament to the resilience and warmth of its people. So, whether you’re seeking a tranquil retreat or a cultural adventure, Caracol invites you to discover its hidden wonders and experience the magic for yourself. After all, in this captivating corner of Haiti, every day is a journey into the heart of paradise.
First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.
Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.
Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.
Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.
