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Les Éditions Julien Hilaire launches "Temps de poésie"
Les Éditions Julien Hilaire launches  Temps de poésie
Les Éditions Julien Hilaire launches Temps de poésie
  • News
  • January 03, 2025

Les Éditions Julien Hilaire launches "Temps de poésie"

In collaboration with HPost5, Les Éditions Julien Hilaire are launching a call for contributions for the publication of the first issue of "Temps de poésie", a literary magazine that, according to the initiators, aims to be a space for exchange, creation and celebration of contemporary poetry.

In these times marked by a penchant for destruction, chaos and the law of silence, speaking has become an obligation. Speaking to denounce. Speaking to resist. Speaking to build. The first issue of "Temps de poésie" with the theme "Cathedral under construction, poems as labor" is part of this approach. This theme is an invitation to reflect on the act of building, whether material, spiritual or metaphorical, we read in the press kit. Haïti Wonderland met Ansky Hilaire, the man who leads the project.

Interview.

Before talking about the magazine, can you tell us a little about yourself?

Who am I? This question always troubles me. Not because I don’t know myself, but because it is sometimes difficult to define oneself in a country that pushes us to lose ourselves. I don’t like talking about myself, or at least, even more. I can only say that I am that child who grew up in a world where everything seemed hostile: dreams were stifled, love was a luxury loving was forbidden to me and childhood... a privilege that I didn’t have like all children. You know, even today, those clouds think they can slow me down. They come in other forms, but they are always the same. The same, to the point of hurting those who don’t have my talent for poetry. It hurts them to hear that I am called a poet or that I am one of the best pens of this generation. It hurts them because they don’t have my fire, my endurance or my will to move forward despite the storm, nor my courage to dodge the arrows intended to shatter this fragile life of mine. What they don’t know, as Samwell so aptly told Jon, in a less bad context, in the series Game of Thrones: “Soon, there will be arrows for everyone.” A little anecdote to end with this question. You know, sometimes I lie in my room, staring at the ceiling or looking out the window, wondering: what does it feel like to be called a poet or whatever? The answers never come or at least they are always zero. So, talking about myself is like opening a door to a mystery that I prefer to leave closed. All I can say is that I am the one who learned to move forward despite everything, to transform these clouds into words, into poetry.

See as well

How did your taste for literature in general, and poetry in particular, come about?

Literature, for me, was a form of remedy, a remedy for these children like me who grow up with the pain of dreaming. It’s like Manno Charlemagne who sings "Le mal du pays", there is also this pain of dreaming that we also sing. I grew up in solitude, surrounded by people who, despite their presence, were not really there for me. I had brothers, sisters, members of my family, but I never felt chosen or a priority. These absences pushed me to look for what I was missing in books: imaginary brothers, a fictional family, friends made of words. As for poetry, it was its mystery that attracted me. I read poems without understanding what the author wanted to express, what he really wanted to say in fact and that’s when I said to myself: "Uh! Dude, you must like poetry. " and that’s when I started writing. To be a poet, you have to know, it’s giving others the freedom to interpret, to guess what you write without knowing what you really wanted to say. I also like this idea that my texts can reveal a lot of things, but never everything. I say what I want to say, and the rest is my little secret, the confidence of the shadows.

You have just launched the magazine "Temps poésie", where did this idea come from?

Since I was little, a phrase has accompanied me throughout my journey: The time of poetry. I have always been fascinated by these words. Do you know why? Because I believe they express a profound truth: despite everything, there is a time when we must let words speak, sing the silences, paint the walls stained by the seasons, and even rebuild collapsed cathedrals. This idea is rooted in my childhood, marked by a constant need to repair what was broken: rebuild bridges, dream of seeing my father again or escape summer, this season that I never liked. For me, summer has never been synonymous with beauty or joy. Holidays, for children like me, had nothing fascinating about them. If you read my poems, you might think that I am a bad poet, obsessed with the seasons, always criticizing them. You might wonder how someone who lives his time so badly can claim to write or give lessons to these same seasons. But, you know what? I don’t care what you think. Say what you want, but reread. You will see that these seasons that I accuse are also, despite everything, my muses. It is therefore in this attachment to time or seasons that I wanted to create a magazine. A magazine that offers a space for words, thoughts and this unique freedom that only poetry can offer.

Beven brings Haïti among the elite of world slam
Beven brings Haïti among the elite of world slam

Beven brings Haïti among the elite of world slam

This Thursday, November 14, 2024, the young slam artist Youven Beaubrun, Beven by his stage name, qualified Haiti, for the very first time in its history, for the final of the Slam World Cup. This competition, which brings together the best slam artists on the planet, took place on African soil, more precisely in Togo. In a country held by the throat, a country that is dying from start to finish, under the dangerous feat of a certain armed part of its youth, Beven’s extraordinary performance in this competition resonates with the echo of a whole piece of the country, in the thirst for beauty. Beven is the symbol of a youth that refuses to give in to the chaos that surrounds the face of its motherland. Art, slam being his field of specialization, is used in the best possible way to make hope resonate. And to continue to believe that a country that made 1804 cannot afford the luxury of sinking so hard in the face of human history. "It is with pride that I advanced in this competition. Especially with the crisis that is going through the country at the moment. My qualification for the final is an eternal sign of hope, which confirms the fact that not everything in this country will end in death," the young slammer told us before going to compete in the final. The final took place on Saturday, November 16, 2024, where Beven had his chance to represent his wounded land well on the doorstep of a world victory, a victory that if it had taken place, would have been initialed in the name of an entire people, in the absolute race against a great chaos that dreams only of suffocating it. Although he failed to win this cup (finishing in sixth place overall), the Haitian slam champion had time to inspire an entire country during his great journey in this competition. This is only a postponement, next time victory will be achieved for sure.

It’s an ambitious project that requires a lot of manpower, right!?

Absolutely. This project requires a considerable amount of manpower, not only in terms of artistic contributions - which, fortunately, is not lacking thanks to the talents that surround us - but also on the financial level. We hope to mobilize financial support to realize our ambitions: to produce a paper version of the magazine, to organize a closing ceremony worthy of the name, and, above all, to establish literary prizes to honor the most significant contributions. These prizes, moreover, will be exclusively linked to the magazine: only works published in Temps Poésie will be eligible for nominations. This project is therefore a collective adventure that calls for involvement in various forms.

"Cathedral under construction, poems as labor", what justifies this theme in this Haïti where destruction has become commonplace?

This theme is above all a call. An invitation to us, Haitians, to reflect and act to rebuild everything that we have allowed to break over the years. It is not only a physical reconstruction, but also a symbolic one: regaining our lost territories, healing the wounds of our hearts, rebuilding our families, and restoring the pillars of our society. Destruction seems omnipresent, but we have an urgent duty to rebuild, together, on all levels. This "cathedral" is not only a monument; it is a vision of a country reconciled with itself, where each poem becomes a stone to solidify our future.

The Monferrier Dorval Chair of Constitutional Law, a gesture from the State University of Haiti, for the preservation of the memory of Professor Dorval
The Monferrier Dorval Chair of Constitutional Law, a gesture from the State University of Haiti, for the preservation of the memory of Professor Dorval

The Monferrier Dorval Chair of Constitutional Law, a gesture from the State University of Haiti, for the preservation of the memory of Professor Dorval

The Monferrier Dorval Chair of Constitutional Law is a high-intellectual-intensity initiative, taken by the State University of Haïti (UEH), through the leadership of its rectorate, in agreement with the leaders of the Faculty of Law and Economics (FDSE). The initiative’s primary goal is to honor and perpetuate the memory of the valiant and brilliant Professor Monferrier Dorval, assassinated in unclear circumstances, about three years ago. And in order to make a scientific contribution to the great debate that has been going on in Haitian society for about ten years about the need to change or not, the constitution of March 29, 1987, amended on May 11, 2011. Shouldn’t we try to apply it preferably? If it needs to be changed, should this change be radical, otherwise what should it have in terms of change within a new mother law for a better institutional organization of Haiti. The chair is scientifically chaired by Professor Henri Marge. Dorléans, (current head of AFPEC), and is vice-chaired by the dean of the faculty of law and economics, Me Eugène Pierre Louis. The Chair is materialized by a set of conferences and debates (15 in total), which take place in the premises of the Office of the Protection of the Citizen OPC, under the name of Wednesday of the Monferrier Dorval Chair. It is in this sense that for the fifth edition of the Wednesday of the chair (which took place this Wednesday, October 9, 2024 at the OPC, in the presence of the protector of the citizen, Me Renan Hédouville), attention was placed on education within the debate surrounding the possible development of a new constitution for Haiti. This 5th meeting took place under the theme of: "Education, Teaching, Research, Science and Technologies". The conference was hosted by three greats of the Haitian intellectual community, including two eminent professors of the UEH, namely, Professor Odonel Pierre Louis, academic director of the École normale supérieure (ENS); the vice rector of the UEH, Professor Jacques Blaise. Their interventions were followed by that of the director of the national institute of vocational training (INFP) Mr. Dikel Delvariste.

What are the submission terms Ansky?

Submission terms? Any poet, writer, visual artist or photographer, whether established or new, is invited to submit their works to the Temps Poésie magazine. We accept unpublished poems (maximum of 3 per author), essays or critical reflections on the theme (up to 1000 words), as well as visual works such as illustrations, photographs or drawings inspired by the theme. Contributions must be sent no later than January 25, 2025 to the following address: leseditionsjulienhilaire@gmail.com. Texts must be submitted in Word or PDF format, and images in JPEG. We look forward to receiving your contributions and discovering the many forms that this “time of poetry” will take.

interview by Gabynho

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Haïti, the pearl of the Caribbean nestled west of the island of Hispaniola, offers a captivating combination of natural beauty and rich history. For an unforgettable trip, follow these wise tips to plan your stay. b~Prior Research~b Before you begin your trip, immerse yourself in Haïti’s rich culture, fascinating history, delicious cuisine and top attractions. This prior immersion will allow you to make the most of your stay and connect more easily with locals. b~Ideal time to travel~b Haïti’s mild climate throughout the year makes it an attractive tourist destination at any time. Your choice of period will depend on your preferences. If you’re passionate about cultural festivities, don’t miss the Haïtian Carnival in February, a vibrant celebration leading up to Lent. For lovers of paradise beaches like Labadee, La Côte des Arcadins, and others, summer offers a perfect mix of sun and fun times in crystal clear waters. If spirituality appeals to you, August 15 marks the Feast of the Assumption, a religious celebration marking the Virgin Mary’s ascension into heaven. And also November 1st and 2nd are dedicated to the Day of the Dead. Families go to the cemetery to honor and decorate the graves of their deceased loved ones, creating an atmosphere steeped in memory and tradition. History buffs may choose to visit on national holidays such as National Independence Day on January 1, Flag Day on May 18, and other significant events. b~Choice of Accommodation~b Haïti offers a range of accommodation options, from luxury hotels to family-friendly B&Bs. Adapt your choice according to your budget and preferences, favoring local accommodation for a more authentic experience. b~Unmissable Tourist Sites~b Among the gems to explore, discover the majestic Citadelle Laferrière, listed as a UNESCO world heritage site, the Sans Souci Palace, the La Visite National Park, the Milot Cathedral, Fort Jacques, the Heroes of Vertières, the Bassin Bleu , the Saut-Mathurine Waterfall, the Marie-Jeanne Cave, Kenscoff and Furcy, as well as the Saut d’Eau Waterfall. Also explore the artistic wealth of Haïti through its artisan markets. b~Taste Local Cuisine~b Haïtian cuisine is a symphony of exotic flavors. Be sure to sample local dishes such as griot and pea-sticky rice at local markets for an authentic culinary experience. b~Local Culture~b Haïtian culture, influenced by a rich history, is diverse and vibrant. Respect local customs, be open-minded and willing to learn. The warmth and hospitality of the Haïtians add a unique dimension to your experience. b~Means of Transport~b Opt for modern means of land transport such as Capital Coach Line, Transport Chic, Sans-Souci Tours, Le Transporteur, Grand Nord. For aerial explorers, easily book your flight with Sunrise Airways. Car rental is also an option for those looking for a more private experience. b~Language and Communication~b Although Haïtian Creole is the main language, French is also widely used. Learn a few basic phrases in Creole to facilitate exchanges and enrich your experience. By meticulously planning your trip to Haïti, you open yourself up to discovering the natural beauty, cultural richness, and warm hospitality of this Caribbean gem. Get ready to experience a unique and memorable adventure in Haïti.

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History

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Natural beauty

Natural beauty

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Heritage

Heritage

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

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Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.

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