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Haiti, a jewel to discover

Looking for a change of scenery, breathtaking landscapes, and a unique cultural immersion? Haïti is a little-known destination full of treasures to discover. From its heavenly beaches to its verdant mountains, its captivating history and its gastronomy rich in flavors, Haïti seduces adventurers and culture enthusiasts alike. In this article, dive into the wonders of this Caribbean island and discover why Haïti is a jewel to absolutely explore.

Guédés: When Haïti celebrates its ancestors with color and fervor

Every November 1st and 2nd, Haïti comes alive with the colors black and purple to celebrate the Guédés, spirits venerated in the voodoo religion, symbols of a powerful bond between the living and the dead. Fascinating, indomitable and provocative, the Guédés form a true family in the pantheon of Haitian voodoo, where they are respected for their role as spiritual guides of the deceased to the afterlife. Led by iconic figures such as the legendary Baron Samedi and his companion Grann Brigitte, the Guédés embody the paradoxes of life and death. Each Baron has a unique personality: Baron Cimetière, Baron Kriminel, and Baron La Croix are the guardians of the souls that wander on the borders of the world of the dead. Together, they form a powerful and somewhat frightening presence, but one that is deeply rooted in Haitian culture. The Guédés are not like other voodoo spirits; they demonstrate their fearlessness in a spectacular way. Accustomed to death, they are fearless and are provocative: they eat glass, raw peppers, and coat their sensitive parts with rum and pepper. These gestures mark their indifference to danger and remind us that they have already known earthly life. They are thus psychopomps – these beings who lead the souls of the dead – and act as bridges between the world of the living and that of the dead. Some Guédés, like Guédé Nibo, wear black, purple, and white clothing, each with unique characteristics. They are many and varied: Guédé Fouillé, Guédé Loraj, Papa Guédé, and many others. These are the spirits who, each year, remind Haitians of the importance of remembering and honoring the deceased. The cult of the Guédés is not only religious; it is also cultural and historical. According to tradition, their spiritual territory, or “Fètomè” – nicknamed the “Country without Hats” – is a place where the souls of ancestors reside. According to stories, the origins of this cult go back to the Abomey plateau, the ancient capital of the kingdom of Dahomey, in Africa, where death and life coexist in a form of symbiosis. This celebration in Haïti even finds echoes in ancient history. The Romans also honored their dead with the “Fête des Lémuria”, which took place in February, to ward off spirits and restore peace between the world of the living and that of the deceased. For Haitians, honoring the Guédés is about accepting death as a part of life and celebrating the invisible bonds that unite us with those who have left us. It is also a way of resisting, because life, despite its challenges, must be celebrated in all its complexity and depth.

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Discover Haiti's national motto: Liberty – Equality – Fraternity. Its origin, meaning, and importance in Haitian history and identity.

Emeline Michel, in exceptional concert in Miami

St. Clement Parish celebrates its seventy years of service to God and the Haitian community, this November 23, 2024, at 2975 N. Andrews Ave., Wilton Manors, FL. On the occasion of this celebration, Emeline Michel will be in exceptional concert to mark this cultural event. On the menu of this program, the committee plans to organize evangelization sessions, continuing education, fields of ethics, morality and spirituality. This event will also emphasize faith, reason and culture to rebuild in unity the kingdom of God here below where "Charity unites us to God". With the aim of raising culture to its peak, the Archbishop of Miami is pleased to join us for a great Eucharistic celebration on Saturday, November 23, 2024, starting at 10 a.m. Together, they will mark this mythical date engraved in the memory of his faithful and friends. This evening will be hosted by the icon of Haitian music, Emeline Michel, who has made a name for herself in the Haitian cultural landscape: "We welcome the famous singer Emeline Michel. She will do us the honor of reliving important and unforgettable moments of our charming land of Haiti. With her melodious, very captivating voice and her poetic songs, all the beautiful memories will be there, like our beaches, the light breeze of our mornings and the flight of capricious birds," wrote the press release. The 58-year-old diva continues to establish herself as one of the unique, contagious voices of Haitian music. While remaining in her style, she has been able to create her musical universe during her career, which has allowed her to be honored in the community by her fans. Emeline Michel, with her sincere lyrics and unique style, has managed to reach a wide audience without giving up her authenticity. With her songs and her melodious voice, she has rocked several generations. Throughout her musical career, she has an enriching repertoire, about thirteen albums to her credit, we can cite a few: Douvanjou ka leve (1987); Flanm (1989); Pa gen manti nan sa (1990); Rhum et Flamme (1993); Tout mon temps (1991); Emeline Michel, the very best (1994); Ban m pase (1996); Coedes and Soul (2001); Rasin Kreyòl (2004); Queen of Hearts (2007); Quintessence and lastly Gratitude (2015). She also has many collaborations with other artists. Chanjman and Jan mwen (2020, and 2021) Emeline Michel, 40 years of experience on stage, she carries all Haïti in her voice, her soul and her body. During her flourishing years of success, she has marked several continents where she has already performed (Antilles, America, Europe, Asia). This allowed her to discover several places, such as: Carnegie Hall, at the United Nations; the Teatro Manzoni in Milan; the Kravis Center in Florida; the International Jazz Festival (Haiti). Then, the Luminato Festival in Ontario; the International Jazz of Montreal; the New Orleans Jazz Fest; the Ten Days On The Island. The priest of the parish of St. Clement, Rev. Patrick Charles, took the opportunity to extend a warm invitation to the community to come celebrate this great day marking its seventieth anniversary and to entertain in order to once again highlight Haitian culture.

Pity or the work of an old soul crushed under the weight of an absinthe-flavored existence

The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values ​​that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.

Haitian Cuisine - Delicious Corn à la "Bonne Femme": To your pots!

Readers and little chefs of Haïti Wonderland, I present to you on a golden platter the recipe for corn à la bonne femme. Take your time and share your creation in the comments!