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Haiti: Jacmel Vibrates to the Sound of Jazz: A Memorable Performance of the Acoustic Revival at the Alliance Française
Haiti: Jacmel Vibrates to the Sound of Jazz: A Memorable Performance of the Acoustic Revival at the Alliance Française
Haiti: Jacmel Vibrates to the Sound of Jazz: A Memorable Performance of the Acoustic Revival at the Alliance Française

Haiti: Jacmel Vibrates to the Sound of Jazz: A Memorable Performance of the Acoustic Revival at the Alliance Française

The night of February 17, 2024 will remain engraved in the memories of music lovers in Jacmel, Haiti, thanks to a breathtaking show which took place at the Alliance Française. This remarkable event, part of the prestigious Jacmel Jazz Festival calendar, offered spectators an exceptional musical experience with its Acoustic Revival program.

Summary

Haïti : Jacmel Jazz Festival 2024
Haïti : Jacmel Jazz Festival 2024
Haïti : Jacmel Jazz Festival 2024

The Acoustic Revival, a series of activities organized by the Jacmel Jazz Festival to celebrate the richness of Haitian music, began with Belo’s haunting song, "Istwa Dwòl," followed by the vibrant "Pòs Machan." These joyful and optimistic compositions resonated in the souls of the audience, inviting them to transcend life’s difficulties and embrace joy, whatever the situation.

Lovers of romantic music were not left out. In a context where socio-political tensions can put a strain on romantic relationships, titles such as “Lanmou Bèl” or “Pran Pasyans” have offered refuge to loving hearts, guiding them towards happiness despite hardships. These captivating ballads allowed couples to escape and refocus on their love, strengthening their bonds and their resilience in the face of adversity.

See as well

Haïti : Jacmel Jazz Festival 2024
Haïti : Jacmel Jazz Festival 2024
Haïti : Jacmel Jazz Festival 2024

Throughout the cheerful melodies of “Azoukenkeng”, “Miya Miyan” and “Ti Pouchon”, the atmosphere of the Alliance Française was imbued with an aura of happiness and positivity. Jazz fans were carried away by these inspiring compositions, creating an unforgettable musical communion.

The evening ended with the masterful interpretation of “Benita”, an emblematic piece of Haitian music. This track embodies the very essence of the country’s musical culture, delivering a message of optimism and gratitude that resonates deeply in the hearts and minds of those who listen to it.

Haïti : Jacmel Jazz Festival 2024
Haïti : Jacmel Jazz Festival 2024
Haïti : Jacmel Jazz Festival 2024

In short, the Jacmel Jazz Festival 2024 offered a magical evening at the Alliance Française, where Haitian music, with its captivating mix of rhythms and melodies, was able to touch souls and create lasting memories.

Pap Jazz 2025, a Celebration of Haiti’s Great Musical Richness
Pap Jazz 2025, a Celebration of Haiti’s Great Musical Richness

Pap Jazz 2025, a Celebration of Haiti’s Great Musical Richness

On Sunday, April 6, 2025, the Karibe Convention Center in Juvenat transformed into a true cultural temple to close the 18th edition of the Port-au-Prince International Jazz Festival (PAPJAZZ). This year, the festival took place under the evocative theme "PAP JAZZ it UP", and it was held in three sites primarily located in the Pétion-Ville commune. The festival took place entirely at these wonderful musical venues: a reference was made to the Latin Quarter, the Haiti-Brazil Cultural Center, and the Karibe Hotel. Due to the deteriorating situation in downtown Port-au-Prince in recent times, the French Institute site had to be abandoned by the festival organizers. Nevertheless, we can absolutely call this 18th edition of Pap Jazz a success. Indeed, this festival, now a major event of the Haitian year, was especially marked this year by the great resilience and determination of the organizers who were able to adapt to the country’s rhythm in order to satisfy their loyal festival-goers. Despite the difficult context, these festival-goers did not miss the opportunity to escape their harsh daily lives through music. It’s also important to note that this 18th edition of Pap Jazz took place after two postponements, at the very beginning of this year, with the last one occurring in March due to insecurity. In this regard, it is appropriate to call the monumental achievement of the Haïti Jazz Foundation and their partners an exceptional feat, as they were not discouraged and showed remarkable tenacity, while adapting to offer Port-au-Prince and its surroundings this moment of growth, beyond the city’s great sorrow, through music.

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About the Author
Jarule Laguerre
Jarule Laguerre
Jarule Laguerre

    laguerrejarule916@gmail.com

    See other articles from Jarule Laguerre
    Stv Bryant

    Merci infiniment pour cette publication
    Cela restera en mémoire de chaqu’un de le groupe
    Revival Acoustic n’oubliera jamais cette soirée du 17 Février à L’alliance Française de jacmel
    Un remerciement spécial au staff de jacmel jazz Festival pour l’opportunité de faire chanter 🎤 les cœurs ce soir la.

    February 21, 2024 - 02:23:20 PM
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    Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

    In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

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    First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

    Natural beauty

    Natural beauty

    Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

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    Heritage

    Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

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    Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.

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