On December 5, 2024, the Emmanuel Charlemagne Municipal Cultural Center opened its doors for an unforgettable day dedicated to the history and memory of the pre-Columbian peoples of Haïti and the Caribbean. Entitled "Arawak, Tainos, Ciboney Survival", this cultural initiative brought together enthusiasts, researchers and the curious in an atmosphere rich in discoveries and emotions.
In collaboration with HPost5, Les Éditions Julien Hilaire are launching a call for contributions for the publication of the first issue of "Temps de poésie", a literary magazine that, according to the initiators, aims to be a space for exchange, creation and celebration of contemporary poetry. In these times marked by a penchant for destruction, chaos and the law of silence, speaking has become an obligation. Speaking to denounce. Speaking to resist. Speaking to build. The first issue of "Temps de poésie" with the theme "Cathedral under construction, poems as labor" is part of this approach. This theme is an invitation to reflect on the act of building, whether material, spiritual or metaphorical, we read in the press kit. Haïti Wonderland met Ansky Hilaire, the man who leads the project. Interview.
Haïti and its incredible Genius is an exceptional initiative launched by the Institute for the Valorization of Haitian Heritage (IVAP-Haiti). This contest’s mission is to highlight the multiple facets of Haïti by presenting an authentic and positive image of the country, while promoting the skills of young Haitians through the culture of reading and research.
On Thursday, October 24, 2024, the Center for Political and Diplomatic Studies, CEPOD, launched its Diplomatic Fortnight via a summit that took place at the Montana Hotel in Pétionville. The event took place under the theme of Haiti’s place in globalization, and in the presence of an audience of distinguished guests. consisting of public authorities such as the current Haitian Prime Minister, Dr. Garry Conille (Honorary President of the summit); his Minister Delegate for Humanitarian Affairs, Mr. Herwil Gaspard; Foreign diplomats, among whom we can cite the Canadian Ambassador, Mr. André François Giroux (Guest of Honor of the summit); Dr. Christian Mouala, Country Director of UNAIDS Haiti, and a group of other public figures (such as sociologist Daniel Supplice), members of the press, such as senior journalist, Rotchild François Junior and students of all kinds.
Dans le cadre du programme de promotion des droits et de l’épanouissement de l’enfant "Timoun se moun" piloté par l’organisation Action Communautaire de Transformation et d’Intégration Formelle (ACTIF), Kay Jèn Yo organise, du 18 au 24 août 2025 (9h am - 1h pm), "Espas Lajwa", un camp d’été qui cible trente (30) enfants de 7 à 15 ans. Une grande panoplie d’activités éducatives, créatives et ludiques sont programmées pour le plus grand bien des enfants. Ils auront droit à des ateliers de : peinture, crochet, macramé, langue des signes, théãtre, lecture, échec, etc. Dans un contexte aussi traumatogène où la violence est monnaie courante, de telles initiaves sont d’une importance capitale. " Les enfants ne sont pas imperméables au stress et autres pathologies que peut provoquer la situation morbide qui sévit dans le pays actuellement", souligne Blondy Wolf Leblanc (Gabynho) DG a.i de ACTIF. "Espace Lajwa se veut donc, un refuge, un lieu où les enfants peuvent s’exprimer en toute sécurité, un espace sécurisant où ils peuvent exprimer leurs émotions à travers plusieurs médiums", précise-t-il. Plus loin, l’animateur socioculturel encourage d’autres structures à travers le pays à prendre des initiatives de ce genre au bénéfice de la santé mentale des enfants. Espas Lajwa est quasiment gratuit. Un frais de participation de 150 gourdes est requis pour la semaine. Quid Kay Jèn Yo Issu du projet "Pran Swen Tèt ou", Kay Jèn Yo est un projet de l’organisation ACTIF supporté par La Perfection École de Haute Couture visant à combattre la violence par l’engagement communautaire à travers des programmes de formation professionnelle et artistique. Situé au numéro 18, imp. Thoby, rue Desdunes, Mahotière 79, Kay Jèn Yo est ouvert du lundi au dimanche (9h am - 6h pm). Sebastien Jean Michel
Living in Prose and Poetry is an artistic and cultural event organized by the cultural organization Salon de Livre de Port-au-Prince (OCSLPAP) with the aim of bringing together young artists from the Haitian capital to exhibit them to a large audience . This edition will take place on Saturday July 27, 2024, at the pyépoudré cultural center, located at number 332 on the Route de Bourne. This year the organizers announce their mission is to bring together talents from various categories of arts, always with the aim of helping them to become familiar with each other, and to help create a solid link between them and the Haitian public. . The categories targeted by the organizers for this second edition are young poets, slammers, comedians, rappers, dancers, singers, painters, and writers who have already published at least one work. Living in prose and poetry will also be an opportunity to encourage Haitian youth to think. The first part of the event will be devoted to a discussion around a text by the famous Haitian writer Louis Philippe Dalembert, entitled The Other Face of the Sea. It is a novel which carefully addresses the subject of immigration and detachment that goes with it in the immigrant’s skin. It is a book that speaks openly to the reality of the Haitian people today. It has already been announced that this first part will be moderated by the journalist and literary critic Carl Pierrecq who works for the short story writer, and moderation will be provided by Pierre Marie, a young sociology student at the Faculty of Human Sciences (FASCH). After a largely successful first edition which took place in May 2023 in the premises of the municipal library of Delmas, the organizers of living in prose and poetry say they are determined and have made the promise for this year to deliver to the public port-au -princien, a cultural event of exceptional scale for the second outing. Once again, this will be the perfect opportunity to celebrate the great richness of Haitian culture through the organs of our young talents. Given the difficult context, manifested by the almost daily situation of insecurity which has prevailed for some time, in a good part of Port-au-Prince, the announcement of this event comes as a fresh breath of oxygen, scattered throughout the within the lungs of the city. It is yet another opportunity to remind through this artistic festivity that even in times of deep unrest, art will remain an indispensable light, because even in times of crisis, the latter and the artist (its channel of diffusion) will become refuges, sources of comfort and appeasement for all human souls.
August 29, 2025, will mark two exceptional events: the eighth anniversary of Pierre Marc BAPTISTE’s commitment as a young leader and social and political activist, and the official launch of the Engagement Award. This unique initiative aims to honor and encourage young leaders, professionals, and academics for their dedication and active involvement in community life. The Engagement Award’s mission is to recognize youth leadership, promote civic engagement, and highlight inspiring role models capable of positively influencing an entire generation. Through this award, Pierre Marc BAPTISTE hopes to encourage young people to get involved in concrete actions aimed at solving community problems, reducing social inequalities, and strengthening civic participation. The first edition will be particularly symbolic. Eight young leaders from the Cité Soleil plain will be honored for the social and community impact of their initiatives. In a concrete gesture of solidarity and knowledge sharing, 200 books will also be donated to the Duvivier High School library in Cité Soleil, contributing to the education and training of future generations. With this award, Pierre Marc BAPTISTE reaffirms his belief that youth engagement is an essential lever for social and political change in Haiti. This is a unique opportunity to celebrate those who are taking action to transform their community, while inspiring other young people to follow the path of action and leadership. On August 29, 2025, Haitian youth will be honored, and a new tradition of recognition and inspiration will be established to promote civic engagement and responsibility throughout the country.
The Paris 2024 Olympic Games mark a time of pride and hope for Haiti, a nation rich in culture and resilience. This year, Haïti is represented by an exceptional team of athletes, each bringing their talent, determination, and dreams of victory on the world stage. Here’s a look at the stars lighting up our Olympic horizon.
Haïti is much more than a Caribbean island. It is a country rich in history, culture, gastronomy, and nature. Behind the challenges it has faced, Haïti shines with its unique heritage and major historical role. Here are seven fascinating facts that show why Haïti is a land of pride.
The beaches of Petit-Goâve are true coastal escapes in Haiti. Nestled along the southwest coast of the island, in the West department of the Republic of Haiti, the town of Petit-Goâve is home to natural treasures that are often overlooked: its magnificent beaches. These coastal gems offer locals and visitors spaces for relaxation and leisure where fine sand meets the crystal clear waters of the sea.
If you’re looking for an unforgettable musical experience this summer, look no further than Sumfest in Haiti. This unmissable festival brings together the biggest names in the Haitian music scene for a crazy weekend, all in an idyllic setting by the sea. This is why Sumfest is the event not to be missed for all music lovers. Haitian music and culture.
In Haiti, manje midi (lunchtime) is much more than just lunch. It’s a key moment of the day, a sacred break where we enjoy hearty, tasty, and nutritious dishes. Whether at home, at the office, or in the small, popular restaurants "kantin" or "manje anba dra," lunch is a true feast. Lunchtime in Haïti often consists of several essential elements:
In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society
Haiti, a Caribbean island country, is much more than just a tourist destination. It embodies a symbol of resistance, freedom and the struggle for emancipation, a historical example for the whole world. In this article, we will explore why Haïti is considered a true symbol of freedom, by highlighting its history, culture and its essential role in the fight against oppression.
First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.
Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.
Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.
Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.
