January 1, 1804: Proclamation of the Independence of Haiti

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

Moïse François: A young Haitian journalist committed to literature and social development

Moïse François is a young Haitian journalist, poet and law student at the State University of Haiti. He was born on November 13, 1999 in Port-au-Prince and is the eldest of a family of three children. He grew up between his hometown and Camp-Perrin, a small town in southern Haiti. Moïse François is a young Haitian with a remarkable academic and professional background, showing a deep passion for literature, journalism, social commitment and justice. He embodies this type of dynamic young person that the thirst of any great human society demands. Moïse claims above all to be a surveyor of the countries of his read books. "Literature, the kind that sets free, is my first home. I frequented Prague under the Soviet occupation of Milan Kundera, thanks to its literature, much better than some corners of Port-au-Prince, my hometown, largely plunged into horror and constant fear," he says. His great literary culture has largely contributed to his open-mindedness, his survival in this country and his impressive creativity.

What are the special elements of Haitian cuisine?

Haitian cuisine, with its blend of spices, flavors, and traditions, occupies a unique place in the Caribbean culinary panorama. Rooted in centuries of history and cultural influences, it is distinguished by several elements that make it exceptional. Let’s discover what makes Haitian gastronomy unique.

The compas direct: an important part of Haitian identity

La musique joue un rôle crucial dans la formation de l’identité d’une nation, en haïti, elle occupe une place centrale dans la vie de presque tous les haïtiens. Elle est utilisée comme étant l’un des moyens les plus fiables dont se sert le peuple haïtien pour s’évader face aux nombreux événements qui constituent l’essentiel de son quotidien. Le genre musical qui prédomine en haïti est le compas direct. Créer par l’esprit créatif haïtien, le compas à évoluer au fil des années pour aboutir jusqu’à sa position actuelle.

The Haitian Revolution: A MAJOR Event in History

With the arrival of Christopher Columbus in Haïti in 1492, life on this small piece of peaceful territory would radically change into the most sinister chaos. Experiencing a major dive into crime, and the darkest barbarity, known as slavery. The arrival of black people captured in Africa, violently crossing the Atlantic to end up on Haitian soil, is part of this tragic story. The Amerindians (the first inhabitants of Haiti) having suffered a large-scale genocide, under the weight of European slavery, were unable to resist and were replaced by these Africans, who centuries later would arrive to put an end to this shameful system, through an unparalleled revolution.

Kre-Yole: A Platform that Promotes Local Production and Haitian Culture

Kre-Yole, a Haitian company dedicated to the promotion and sale of local, artisanal and agricultural products. Founded with the aim of highlighting Haiti’s cultural richness and unique talents, Kre-Yole positions itself as a sales channel allowing artisans, agricultural producers and others to share their creations with the world.