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Sandra Dessalines, creating to testify her freedom
Sandra Dessalines, creating to testify her freedom
Sandra Dessalines, creating to testify her freedom

Sandra Dessalines, creating to testify her freedom

Sandra Dessalines is a self-taught Haitian painter, sculptor, and visual artist. She was born in Port-au-Prince but grew up in the commune of Carrefour. Today, she is an ambassador who brings Haitian culture to life through her art all over the world, particularly in France, where she has lived for more than a decade.

An Honorable Journey

Sandra Dessalines trained as an agricultural engineer at Quisqueya University in Port-au-Prince and continued her studies at INSA in Toulouse, France. Her official entry into the world of art came after the devastating earthquake that ravaged her homeland, Haiti, on January 12, 2010. This event pushed her towards art, allowing her to reach the level she occupies today.

In terms of recognition, Sandra Dessalines has made a name for herself, with her original style, inspired by her native Haiti, gaining increasing recognition from major event organizers in Paris. In October 2024, she even received the public prize at Lmh Concept Events Art and Design for their 10th anniversary in Paris. This award perfectly reflects the originality of her work and her ability to touch people’s hearts through her creation.

Haïti
Haïti
Haïti

A Passionate Artist

Sandra Dessalines identifies as a visual storyteller, expressing herself through her work to capture the essence of her identity and Haitian roots. "Through my paintings and installations, I aim to capture the essence of my identity, my Haitian roots, and the stories that have shaped my people." This artistic approach is a profound reflection on memory, history, and emotions, a way for Sandra to fully exist in a world where the voices of women, especially Black women, are often marginalized. Through her artwork, Sandra demonstrates that Haïti still has much to surprise and inspire the rest of the world with its cultural richness.

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Haïti
Haïti
Haïti

A Constant Presence

Since her childhood, art has been a refuge and a means of expression for Sandra, allowing her to convey her emotions without barriers. Her artistic journey naturally led her to sculpture, a universal language. "Sculpture became a universal language for me, a means of expression where I could transcribe my emotions, struggles, and hopes without barriers." Sculpture, thus, became an act of resistance, a testimony, and a celebration of her Haitian heritage, a way to honor her history and claim her freedom. However, the road has not always been easy for a Black Haitian woman in a male-dominated field. Sandra faces daily obstacles, particularly the Western gaze that often reduces Black women’s art to a mere "exotic aesthetic." "Being a Black woman in the art world means constantly proving your legitimacy." As a Haitian, she also fights against the marginalization of her culture, which is often seen through the lens of reductive stereotypes. These challenges only strengthen her determination to continue her artistic work with strength and conviction.

Haïti
Haïti
Haïti

A Source of Inspiration

Among her inspirations, Sandra mentions figures such as the French sculptor Rémy Trottereau, whose resilience and personal commitment particularly impressed her. "I draw inspiration from many figures, particularly French sculptor Rémy Trottereau for his resilience and personal commitment to his art." She also speaks of the raw energy of Marc Petit and the timeless work of Ousmane Saw, who was able to capture the soul of the Black world. These influences nourish her work and allow her to give voice to her deep convictions.

Haïti
Haïti
Haïti

Tools of Creation

The materials Sandra uses in her creations also reflect her cultural identity. She primarily works with oil paints, but she is not afraid to experiment with mixed materials, integrating fabrics, paper, and organic elements. "I also love experimenting with mixed materials, sometimes integrating fabric, paper, and organic elements that recall the richness of Haitian culture." This search for materials reflects a desire to root her art in the reality of her people and anchor her work in the foundations of her culture.

Haïti
Haïti
Haïti

Haitian Identity and History at the Heart of Her Art

The artist’s works explore powerful themes related to Haiti’s history, Black identity, and the condition of women. Sandra also addresses subjects such as exile, resilience, and the spirituality of Vodou, which is an integral part of Haitian culture. "My work explores themes related to Haiti’s history, Black identity, collective memory, and the condition of women." Each sculpture becomes a fragment of history, an invitation to reflect on our past while imagining a fairer future. As a direct descendant of Jean-Jacques Dessalines (father of the Haitian nation), her country’s history holds a central place in her creative process. The legacy of the Haitian revolution, carried by her ancestor, is a source of strength and artistic responsibility for her. "Being a descendant of Dessalines means carrying within me the legacy of a revolutionary, a man who changed the course of history." Sandra feels the duty to keep this history alive through her art and remind the world of the dignity and strength of the Haitian people.

Haïti
Haïti
Haïti

The Current Situation of Haïti and a Message of Hope

The current situation in Haïti is a source of pain but also hope for Sandra. Despite the deep crisis her country is undergoing, she sees a committed youth that refuses to submit. "Haïti is going through a deep political and humanitarian crisis, but I also see a youth standing tall, artists, intellectuals who refuse to give up." Through her art, Sandra bears witness to this resilience and strength that characterize the Haitian people.

Finally, for young Haitians who dream of following in her footsteps, Sandra offers a message of hope and determination: "I would tell them to never let anyone tell them their art has no value." She encourages them to create without fear, to tell their own stories, and to understand that art has the power to change mentalities. The freedom won by Haitian ancestors, according to Sandra, must be preserved through creation. "Our ancestors won their freedom by force, now it’s up to us to preserve it through creation." In each piece she creates, Sandra Dessalines claims her freedom, the freedom to be an artist serving her history, her people, and her deep convictions. For her, sculpture is not just an act of creation, but a powerful testimony of the struggle and resilience that so clearly define her homeland, Haiti.

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About the Author
Moise Francois
Moise Francois
Moise Francois

Journalist editor, poet and apprentice lawyer.

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Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

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History

History

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Natural beauty

Natural beauty

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Heritage

Heritage

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

Culture

Culture

Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.

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