After "No to violence", the theme of the previous edition, "I read, I grow" is the theme around which the 18th edition of Week-end Poétique will take place, scheduled for January 31, 2025 at Carrefour. As a special guest, this edition will welcome Jean-Rony Charles, author of Pitié, a short story that, in its depth, focuses on the human condition, in particular the precarious life situations that many people face on a daily basis. Exhibitions, workshops, performances and book signings are among the various activities on the program for this 18th edition. The Week-end Poétique is not only a relaxing activity, but a real space for engagement, offering activities that have a direct impact on the Carrefour community. Events of a social, cultural, artistic, literary, etc. nature constitute its heart and contribute to enriching local life.
Haitian musical sensation Rutshelle Guillaume has been awarded the prestigious Nuits d’Afrique Prize for Francophonie. This distinction was presented to her this Monday, the day after her electrifying performance which closed the festival, attracting hundreds of spectators impatient to see the performance of the one nicknamed the “Queen of Kompa”.
It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse
On Saturday, July 27, the Pyepoudre cultural center, located at number 312 on the road to Bourdon, was transformed into a real creative hive thanks to the initiative of the Cultural Association Salon du Livre de Port-au-Prince entitled ’’Living in prose and poetry’’. This event, placed under the theme "from Haiti, a country that lives in us", fully kept its promises. Bringing together young talents from all walks of life to express their genius through song, rap, slam, dance and poetry. This artistic event was a great success with a young audience who came in large numbers to follow the activity. It also highlighted the growing commitment of Haitian youth to culture.
Haiti, a Caribbean island, carries within it an extraordinary history that resonates through the ages. Best known for being the scene of the first successful slave revolt in modern history, this nation has left an indelible mark on the course of humanity. Haiti’s history is notable not only for its revolutionary independence, but also for its impact on liberation movements and struggles for social justice around the world.
Living in Prose and Poetry is an artistic and cultural event organized by the cultural organization Salon de Livre de Port-au-Prince (OCSLPAP) with the aim of bringing together young artists from the Haitian capital to exhibit them to a large audience . This edition will take place on Saturday July 27, 2024, at the pyépoudré cultural center, located at number 332 on the Route de Bourne. This year the organizers announce their mission is to bring together talents from various categories of arts, always with the aim of helping them to become familiar with each other, and to help create a solid link between them and the Haitian public. . The categories targeted by the organizers for this second edition are young poets, slammers, comedians, rappers, dancers, singers, painters, and writers who have already published at least one work. Living in prose and poetry will also be an opportunity to encourage Haitian youth to think. The first part of the event will be devoted to a discussion around a text by the famous Haitian writer Louis Philippe Dalembert, entitled The Other Face of the Sea. It is a novel which carefully addresses the subject of immigration and detachment that goes with it in the immigrant’s skin. It is a book that speaks openly to the reality of the Haitian people today. It has already been announced that this first part will be moderated by the journalist and literary critic Carl Pierrecq who works for the short story writer, and moderation will be provided by Pierre Marie, a young sociology student at the Faculty of Human Sciences (FASCH). After a largely successful first edition which took place in May 2023 in the premises of the municipal library of Delmas, the organizers of living in prose and poetry say they are determined and have made the promise for this year to deliver to the public port-au -princien, a cultural event of exceptional scale for the second outing. Once again, this will be the perfect opportunity to celebrate the great richness of Haitian culture through the organs of our young talents. Given the difficult context, manifested by the almost daily situation of insecurity which has prevailed for some time, in a good part of Port-au-Prince, the announcement of this event comes as a fresh breath of oxygen, scattered throughout the within the lungs of the city. It is yet another opportunity to remind through this artistic festivity that even in times of deep unrest, art will remain an indispensable light, because even in times of crisis, the latter and the artist (its channel of diffusion) will become refuges, sources of comfort and appeasement for all human souls.
The history of Haïti and France is a complex and tumultuous saga, marked by conflict, struggles for freedom, and lasting impacts on both nations. This story begins in the 17th century and continues to resonate in contemporary relations between the two countries. This article explores the key moments of this historic relationship, highlighting the sacrifices, struggles, and economic issues that defined it.
Haiti, a country rich in history and culture, is located in the heart of the Caribbean region. Known for its idyllic beaches, majestic mountains and welcoming people, Haïti is a true gem in this tropical region. But where exactly is Haïti located in the Caribbean, and what are the geographical features that define this fascinating country?
The Haitian Creole language, spoken by nearly 12 million people, is much more than just a means of communication. It embodies the history, culture, and identity of Haiti. But where does this unique language come from? This article explores its origins, evolution, and central role in Haitian society.
The question of whether Haïti is on the African continent sometimes comes up, but the answer is clear: Haïti is not on the African continent. This island country is located on the island of Hispaniola in the Caribbean and is part of the American continent, specifically Central America and the Antilles. However, the historical and cultural connection between Haïti and Africa is deep and deserves a more detailed exploration.
Cultural exploration offers a fascinating window into the richness and diversity of world heritage. Among destinations that captivate with their history, art and unique identity, Haïti stands out as a cultural gem worth discovering. b~Historical heritage:~b The history of Haïti is marked by the resilience of the Haitian people in the face of slavery, colonization and political challenges. It is the first independent state in Latin America and the only one founded by a successful slave revolt. Haiti’s historical heritage is reflected in its art, music, dance and beliefs. b~Art and Crafts:~b Haitian artistic expression is vibrant and powerful. Naive painting, famous for its bright colors and narrative themes, has its roots in Vodou traditions and local folklore. Haitian artists have gained international fame by capturing the mystical spirit and daily life of the country. b~Music, rhythm of the Haitian soul:~b Music is the pulsating soul of Haiti. From direct compass to voodoo to jazz to rasin, each musical genre has a deeply rooted history in Haitian culture. The iconic band, Boukman Eksperyans, fuses traditional rhythms with modern influences, creating a unique sonic experience that transcends boundaries. b~Dance and movements:~b Dance in Haïti is a celebration of life and spirituality. Voodoo dances, such as Yanvalou and Banda, embody sacred rituals while preserving African heritage. The graceful movements and colorful costumes tell stories from Haitian history, creating a deep connection between past and present. b~Spirituality and Voodoo:~b Vodou, often misunderstood, is an essential component of Haitian culture. It is a syncretic religion that combines African, Native American and Catholic elements. Vodou ceremonies, with their intoxicating dances and mystical rituals, are powerful expressions of Haitian spirituality and are rooted in the quest for connection with ancestors and deities. Exploring the Haitian soul means delving into a world where history, art, music and spirituality intertwine to form a unique cultural web. Haiti, with its diversity and resilience, offers an experience rich in emotions and discoveries. Whether through the bustling streets of Port-au-Prince, the vibrant art galleries or the captivating rhythms, every corner of this Caribbean country reveals a captivating facet of its deep and living soul.
Every November 1st and 2nd, Haïti comes alive with the colors black and purple to celebrate the Guédés, spirits venerated in the voodoo religion, symbols of a powerful bond between the living and the dead. Fascinating, indomitable and provocative, the Guédés form a true family in the pantheon of Haitian voodoo, where they are respected for their role as spiritual guides of the deceased to the afterlife. Led by iconic figures such as the legendary Baron Samedi and his companion Grann Brigitte, the Guédés embody the paradoxes of life and death. Each Baron has a unique personality: Baron Cimetière, Baron Kriminel, and Baron La Croix are the guardians of the souls that wander on the borders of the world of the dead. Together, they form a powerful and somewhat frightening presence, but one that is deeply rooted in Haitian culture. The Guédés are not like other voodoo spirits; they demonstrate their fearlessness in a spectacular way. Accustomed to death, they are fearless and are provocative: they eat glass, raw peppers, and coat their sensitive parts with rum and pepper. These gestures mark their indifference to danger and remind us that they have already known earthly life. They are thus psychopomps – these beings who lead the souls of the dead – and act as bridges between the world of the living and that of the dead. Some Guédés, like Guédé Nibo, wear black, purple, and white clothing, each with unique characteristics. They are many and varied: Guédé Fouillé, Guédé Loraj, Papa Guédé, and many others. These are the spirits who, each year, remind Haitians of the importance of remembering and honoring the deceased. The cult of the Guédés is not only religious; it is also cultural and historical. According to tradition, their spiritual territory, or “Fètomè” – nicknamed the “Country without Hats” – is a place where the souls of ancestors reside. According to stories, the origins of this cult go back to the Abomey plateau, the ancient capital of the kingdom of Dahomey, in Africa, where death and life coexist in a form of symbiosis. This celebration in Haïti even finds echoes in ancient history. The Romans also honored their dead with the “Fête des Lémuria”, which took place in February, to ward off spirits and restore peace between the world of the living and that of the deceased. For Haitians, honoring the Guédés is about accepting death as a part of life and celebrating the invisible bonds that unite us with those who have left us. It is also a way of resisting, because life, despite its challenges, must be celebrated in all its complexity and depth.
December 1 marked an exceptional moment for the Haitian community and beer lovers around the world, with the official launch of “Ewo” beer by Haitian entrepreneur Jhonson Napoléon. After the success of “Kola Choucoune”, already present in several countries, including the United States and Canada, it is the turn of “Ewo” beer to take the American market by storm. Available in several cities in the United States, this beer embodies the perfect marriage between tradition and innovation, offering consumers a unique taste experience. “Ewo” beer is much more than just an alcoholic beverage. It is a delight that skillfully blends the authentic flavors of Haitian culture with a touch of innovation. In a country where Prestige beer and Barbancourt rum have already conquered palates around the world, “Ewo” beer is proudly added to the list of Haitian taste treasures. Jhonson Napoléon, the man behind this new creation, continues to fly the colors of Haïti across the globe. His commitment to promoting quality Haitian products continues to strengthen the reputation of his country of origin. “Ewo” beer is not just a drink, it is a symbol of Haitian creativity and perseverance that transcends borders. This new step demonstrates the country’s ability to be part of the global trend for quality craft beers. “Ewo” beer is not only a leading local product, but it also stands out on the international scene as the representative of a rich and dynamic culture. The pride that Haitians feel for the success of Jhonson Napoléon and the growing fame of “Ewo” beer is palpable. It is a success story that transcends geographic boundaries and embodies the strength of the Haitian entrepreneurial spirit.
On September 1, 2024, Haïti vibrated to the rhythm of Roadtrip 4.0, an exceptional event that left a memorable mark on all participants. Organized by ShoublackHaïti and Championbusiness, this fourth edition of the Roadtrip brought together dozens of people on the beach of Marquis Paradise, near Labadee, Haiti, for a day combining relaxation, entertainment and cultural immersion.
First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.
Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.
Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.
Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.
