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Ayiti Liv: A Digital Initiative for the Preservation of Haitian Literary Heritage
Ayiti Liv: A Digital Initiative for the Preservation of Haitian Literary Heritage
Ayiti Liv: A Digital Initiative for the Preservation of Haitian Literary Heritage

Ayiti Liv: A Digital Initiative for the Preservation of Haitian Literary Heritage

"Ayiti Liv" is an online platform dedicated strictly to promoting Haitian literature. It will be operational starting May 1, 2025, and will feature about 300 major works of Haitian literature, written by over 70 authors. Full public access will be granted for its launch phase.
Jean Venel Casseus, one of the platform’s initiators, explains that this initiative was created to fill a significant gap, and this vast project is being carried out by him and a passionate team of Haitian literature lovers.

A Necessity

In Haiti, the lack of libraries remains a major challenge within the educational system. The culture of young people is often severely affected by this glaring lack. The current security crisis in Port-au-Prince, the capital of Haiti, plays a significant role in the degradation of the Haitian educational system, further exacerbating this shortage. Faced with this gap, a group of well-informed individuals decided to act to provide a serious alternative for those eager to learn more about Haitian literature. In this sense, this digital library dedicated exclusively to Haitian writers is a welcome addition.

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Why Was This Project Created?

The idea for Ayiti Liv emerged from the harsh reality of the absence of accessible libraries in Haiti. Jean Venel Casseus explains: "The Haitian state has not truly taken charge of the intellectual training of the youth. In countries that believe in the fundamental role of books in individual development, every neighborhood has a library. In Haiti, some departments don’t even have a space where people can sit down to read and reflect. Yet, entertainment clubs are plentiful." In response to this situation, the Ayiti Liv team chose to use digital tools to provide a tangible and accessible solution for everyone. The platform www.ayitiliv.com was thus born, with the aim of providing unlimited access to Haitian writers’ works while making Haitian culture more accessible and visible to the world.

The Driving Forces Behind the Project

Ayiti Liv is supported by a team of four people: Jean Venel Casseus, Kerbson Louis (engineer), France Medeley Guillou, and Sophia Mésius. They have joined their efforts to bring this ambitious project to life. Their goal is simple: to give every young person with a smartphone the opportunity to access the richness of Haitian literary works, no matter where they are. The team works tirelessly, "day and night," as Jean Venel Casseus emphasizes, to ensure the platform’s sustainability and accessibility.

Timoun se Moun: A poetry competition to promote children’s rights in Haiti
Timoun se Moun: A poetry competition to promote children’s rights in Haiti

Timoun se Moun: A poetry competition to promote children’s rights in Haiti

A wounded country. Bent under the weight of a multidimensional crisis. Widespread violence. Hope slammed shut. A sacrificed generation. Children are increasingly threatened. They are increasingly confronted with all forms of vulnerability that hinder their overall development. ACTIF is launching the second edition of the "Timoun se Moun" poetry competition. A citizen initiative in which the organization uses writing as a springboard to build what life deprives Haitian children of. Pain can be turned into gold. For ACTIF (Community Action for Transformation and Formal Integration), poetry is a philosopher’s stone. Not only for this organization, but also for all those who believe that writing can help rekindle the stars. Faced with this urgent need for action, this is "an initiative to raise awareness, denounce, and affirm loud and clear that every child matters, every child deserves protection, hope, and a future," reads the competition’s descriptive document. So what do you intend to do with your human light? Through this competition, participants have the opportunity to engage in an act of resistance, like a cry of conscience to raise the voice of broken childhoods. Open from May 18 to June 18, "Timoun se Moun" is open to all Haitians living in the country and aged 18 and over. Texts must be submitted in Creole. Behind this initiative, ACTIF intends, on the one hand, to affirm our cultural and linguistic identity, and on the other, to enrich our Creole literature, promote it, and encourage creativity in our vernacular. The text must not exceed 500 words. The format chosen is PDF, Times New Roman font, size 12, and 1.5 line spacing. This competition aims to offer a touch of affection to these children who are the first victims of the country’s descent into hell. To evaluate the literary quality and essence of the submitted texts, a jury is composed of Ruthza Paul, Douglas Zamor, and Darly Renois. The former is a physician and winner of the first edition of this competition. The other two work in the fields of sociology, psychology, and literature. In addition to the "Jury Prize: 15,000 HTG + books + certificate" and "Audience Prize: 5,000 HTG + certificate + books" prizes, the best texts will be included in an anthology to be published by Éditions Répérages. It should be noted that there will be one winner for each prize. This initiative reflects ACTIF’s commitment to honoring authors who embrace the cause of underprivileged children while enriching Haiti’s literary heritage. This competition extends a helping hand to all those who believe that through poetry, one can transform one’s life into a masterpiece. At the same time, it offers the opportunity to contribute to ACTIF’s child protection program. Each participant may submit a single text. It must be sent by email to the following address: actifkonkoupwezi@gmail.com. The partial results will be published on June 30, 2025, and the final results on July 18, 2025. For more information, visit ACTIF at the following address: 18 Rue Desdunes, Imp. Thoby, Mahotière 79, Carrefour, Haiti, or contact the organization at the following number: (+509) 38 44 57 57. More than just a contest, ACTIF invites you to say No. No to forgetting. No to passivity. No to violence against children and the violation of their rights.

The Crucial Role of Literature in the Haitian Context

According to the initiators of Ayiti Liv, literature plays a fundamental role in the development of both individuals and society. It has two essential facets: creative and critical. Literature allows for dreaming through novels and poetry, as well as reflecting on one’s own reality through essays and academic works. In a country like Haiti, where social and economic challenges are numerous, Ayiti Liv aims to provide a space for reflection and a tool for shaping citizens who can think critically and constructively. "The more citizens we have who can think rigorously, both in science and in art, the more we will be shaping individuals with a soul and deep convictions," adds Jean Venel Casseus.

Ambitions for the Future

The Ayiti Liv team has high hopes for the future of this digital library. Their greatest wish is for this project to go beyond their own efforts and become a true cultural heritage, accessible to all future generations. They hope that the platform will not only be a reading tool but also become a true driver of intellectual and social transformation in Haiti.

Ayiti Liv, far more than just a digital library, represents hope for Haitian culture. Through this initiative, the team aims to reinvent access to literature and critical thinking, offering Haitian youth a gateway to better understanding their identity and future.

In a country where access to books is becoming increasingly limited, where even the National Library of Haïti is no longer truly under the control of Haitian authorities, and where more and more young people have access to smartphones, the importance of this digital library can no longer be questioned.

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About the Author
Moise Francois
Moise Francois
Moise Francois

Journalist editor, poet and apprentice lawyer.

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Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

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History

History

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Natural beauty

Natural beauty

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Heritage

Heritage

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

Culture

Culture

Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.

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