Here are five compelling reasons why you should definitely visit Haiti’s beaches

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

These traditional Haitian festivals you must experience at least once

Haiti, an island of culture and history, is much more than a beach destination. It vibrates to the rhythm of its traditions, its music, its dances, and especially its traditional festivals. If you’re looking for an authentic experience, these events are the perfect opportunity to immerse yourself in the soul of a proud, warm, and creative people. Here is a selection of the must-see traditional Haitian festivals that every traveler should experience at least once.

Looking back at Dev Expo 2024: The Biggest Event for Haitian Developers

After two years of absence, Dev Expo made its big comeback in 2024, bringing a breath of enthusiasm and optimism to the Haitian tech community. This long-awaited event was officially announced on August 20, 2024 by Marc Alain Boucicault, CEO of Banj, triggering excitement in the tech community. Since the last edition, held in 2021, the following years had been marked by the cancellation of this flagship event due to the instability that reigned in the country. However, despite the many challenges still present, the organizers chose to take up the challenge of organizing this edition, demonstrating the resilience and commitment of the Haitian tech community.

Haiti: Between Contrasting Geography and Natural Wealth

On January 1, 1804, Haïti became free after a fierce struggle against colonization and slavery. Located in the Caribbean region, it occupies the western third of the island of Hispaniola, which it shares with the Dominican Republic. With an area of ​​27,750 km², it is bordered to the north by the Atlantic Ocean, to the south and west by the Caribbean Sea and to the east by a land border of 376 kilometers with its eastern neighbor. This geographical location, rich in contrasts, shapes not only its identity, but also the economic and environmental challenges that the country must face.

Meet Edison Juste: An Outstanding Singer

Beyond the chaos, in the heart of the desolation, there are voices that resonate. They shatter the silence, depicting the macabre reality of everyday life in a thousand shards, thus defying evil to give meaning to life and make each day a place where hope flows like a stream of honey. Edison Juste’s voice is one of them: it sings of hope, of love, while praising God. It was in Carrefour, 27 years ago, that the young singer’s sun rose within a family of four children. Edison Juste is the youngest. Between the diplomat, the lawyer, and the entrepreneur that he is, singing remains his greatest passion for this young married man. Like many Haitian singers, Edison Juste took his first steps at a very early age in a choir—Yahvé Shama—alongside children his own age. He would later become the lead singer. This was in 2010. Asked about his first real encounter with music, he replied: q~It was in 2013 that I really started singing. It was during a competition organized by Styl Doz at the Évangélique de la Grâce church,~q, says the active member of the group YES (Yon Enstriman Sen), who also expresses his gratitude to singer Joseph Rhousteau, who inspired and coached him for several years. Edison Juste stands out not only for his style, but also for his versatility. His ability to make the notes vibrate with a moving candor seems limitless. Yet, he has his preferences: q~There isn’t a single style that characterizes me. I see myself as a liquid: I take the shape of the container. Even if I remain haunted by Worship, Compass, and Jazz, he confides. Today, the Carrefour native boasts a rich and varied musical repertoire. From 2010 to 2025, he has grown both in maturity and in renown: five competition wins, his first song recorded in 2018, joining the band YES, his participation in the second album, Se pou m beni, a collaboration with Amos César in a musical, and his contribution to the album Anprent by maestro Berwin Sydney. For him, this journey is already a great source of inspiration. Edison Juste never does without the presence of God, whether in the creative process or during his stage performances: "What influences and motivates me the most is always the presence of Elohim, and the audience’s desire to savor and appreciate my work," he says.

Zoom on Pierry Denejour, on the occasion of the sixth anniversary of DEP-ARTS.

In a town struck by insecurity and economic problems, where survival becomes a daily struggle, some refuse to give in to chaos. In Carrefour, a city plunged into the spiral of violence that eats away at all signs of life, Pierry Denejour embodies this spirit of resistance. Aged around thirty, the native of Port-au-Prince is not only a merchant. The only son of Evena Denejour – a "Marijàn" whose name he proudly bears –, the entrepreneur has transformed his love for art into a passion that lights up his life. A collector of paintings on canvas, he is also the founder of DEP-ARTS Production Multi-Services, a company he launched on December 2, 2018, which is now celebrating six years of active presence in the Carrefour community. Specializing in the sale of electronic equipment, MonCash and NatCash services among others, DEP-ARTS has built a solid reputation in six years. But beyond its commercial activities, it is through its ability to establish relationships of trust and support community initiatives that Pierry has established itself as a key player in its community. Under his leadership, DEP-ARTS is much more than a company: it is a symbol of hope in a town in search of renewal.