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Pap Jazz 2025, a Celebration of Haiti’s Great Musical Richness
Pap Jazz 2025, a Celebration of Haiti’s Great Musical Richness
Pap Jazz 2025, a Celebration of Haiti’s Great Musical Richness

Pap Jazz 2025, a Celebration of Haiti’s Great Musical Richness

On Sunday, April 6, 2025, the Karibe Convention Center in Juvenat transformed into a true cultural temple to close the 18th edition of the Port-au-Prince International Jazz Festival (PAPJAZZ). This year, the festival took place under the evocative theme "PAP JAZZ it UP", and it was held in three sites primarily located in the Pétion-Ville commune. The festival took place entirely at these wonderful musical venues: a reference was made to the Latin Quarter, the Haiti-Brazil Cultural Center, and the Karibe Hotel. Due to the deteriorating situation in downtown Port-au-Prince in recent times, the French Institute site had to be abandoned by the festival organizers. Nevertheless, we can absolutely call this 18th edition of Pap Jazz a success. Indeed, this festival, now a major event of the Haitian year, was especially marked this year by the great resilience and determination of the organizers who were able to adapt to the country’s rhythm in order to satisfy their loyal festival-goers. Despite the difficult context, these festival-goers did not miss the opportunity to escape their harsh daily lives through music. It’s also important to note that this 18th edition of Pap Jazz took place after two postponements, at the very beginning of this year, with the last one occurring in March due to insecurity. In this regard, it is appropriate to call the monumental achievement of the Haïti Jazz Foundation and their partners an exceptional feat, as they were not discouraged and showed remarkable tenacity, while adapting to offer Port-au-Prince and its surroundings this moment of growth, beyond the city’s great sorrow, through music.

Haïti
Haïti
Haïti

A Program Worthy of the Event

This year, the Pap Jazz organizers particularly emphasized that the festival should be extraordinary. Given the difficult situation the country has been facing for some time, Joelle Widmaier, the festival’s artistic director, emphasized at the press conference from the start that they were aware of this situation. That is why this year, in addition to workshops and artist performances, initiatives such as "Jazz pour Timoun" (Jazz for Children), "Jazz pour les enfants déplacés à cause de la violence dans les camps" (Jazz for children displaced due to violence in camps), and "Mur de l’engagement" (Wall of Commitment) were introduced. The last initiative aimed to encourage festival-goers to make a commitment to the well-being of their country, through a written message that would later be shared on social media.

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Haïti
Haïti
Haïti

A Thirsty Audience

Throughout the various events that made up the festival, the observation was the same: there was an audience with a bitter thirst to live in a better country, who made the effort to go out and experience this beautiful music festival. Whether it was at the Karibe events, those in the Latin Quarter (where the after parties were held), or at the Haiti-Brazil Cultural Center, where the workshops took place, this amazing audience, with its thirst for a better Haiti, was clearly visible on their faces. And just that seemed to be a worthy reason for everyone to feel satisfied.

Haïti
Haïti
Haïti

A 100% Local Festival

Due to the difficulties in bringing in foreign artists, as was always the case in previous editions, particularly because of the halt in services at Toussaint Louverture Airport, which can no longer receive flights from North America due to insecurity, the festival organizers made the winning decision to focus on local artists to fill the program this year. This was a good way to invest where the need is great. The absence of foreign musicians was not felt as much, as our musicians and artists gave their all to meet the satisfaction of the thousands of festival-goers who courageously traveled to experience this extraordinary artistic event.

In summary, artists such as Glaude Carré and his band behind his concept of Jazz desounen, Alexa Cherelus, Fameuse Maude who charmed the broken hearts of the Haitian people during her performance at Karibe with the famous song "Mpa ka ri" by Beethoven Obas, Ti sax, Kolo & Co, Kabysh, Welele, Ti Tanbou, Joël Widmaier himself, the great Kéké Bélizaire, young Leyla Alima, Clyde Duverné, Therly Job, Ami Jazz band, Aeson Fanfan, Norman Ineran Pierre, Ely Charles, Tiga, Alexis Lucson Mensrau, Elizer Guerismé, poet Ricardo Boucher, Badio, and the excellent Syto Cavé are, among others, names to remember, as they intelligently brought together their know-how and immense talent to offer this wonderful festival to an audience in desperate need of space for personal fulfillment.

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About the Author
Moise Francois
Moise Francois
Moise Francois

Journalist editor, poet and apprentice lawyer.

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Conference / Festival Quatre Chemins / 21st edition

The impact of collective and individual trauma on the personal development of young people in Port-au-Prince While writers, actors, dancers, poets, among others, have gratified us with their performances, the master’s degree student in psychology at the Faculty of Human Sciences (FASCH), Lourdya Blaise, spoke with the audience about trauma. Structured around the theme "Youth and Trauma, analysis of the impact of collective and individual trauma on the personal development of young people living in Port-au-Prince between 2010-2024", this conference gave rise to enriching discussions. During this meeting, moderated by Michaël Formilus, Ms. Blaise showed how the events that have taken place in the country have caused cases of trauma among Haitians. According to the student, citing the American Psychological Association, we speak of trauma as a consequence of trauma. The latter is explained by the fact that we feel threatened, whether it is the person in question or their loved ones. However, she specifies that a collective trauma remains depending on the impact that the event has on the individual. To illustrate her remarks, she mentioned the earthquake of January 12, 2010, considered a collective trauma, insofar as it still occupies our minds. This tragedy reminds us of the disappearance of our loved ones and enormous losses. This is the case of a trauma that becomes a collective trauma. For the student, it should be emphasized that when an event occurs, some people are traumatized and others are not. According to him, the violence of armed gangs is not perceived in the same way, says Ms. Blaise. There are people who have fled their homes but are not traumatized. In fact, some people see traumatic situations as a passing event, she says. The speaker also spoke about collective trauma, which, according to him, preoccupies the mind, even if we no longer experience it. It manifests itself in several forms: lack of sleep, fear psychosis, intrusive thoughts, intense heartbeat, etc. Generally, symptoms related to trauma are hard to die. When it persists, it becomes acute stress. To deal with it, we must talk to other people. If the situation persists, acute stress turns into a phase of post-traumatic stress; in this case, we must confide in a trusted person or go see a mental health specialist, she advises. In her presentation, Lourdya Bazile also drew attention to the psychological state of children in these times. According to the presenter, children are also facing this crisis situation, even if they do not talk about it to their parents. As much as adults, children also plan their future. Faced with flouted school years, they become pensive and worried, she stressed. They withdraw. The child who used to be brilliant can become violent and perform less well at school. Parents are called upon to listen to them and understand them. A good moment of exchange, rich in practical advice. The audience participated fully. In turn, the presenter invites them to breathe better and meditate. "We live in a country where worries mix, we must take time for ourselves, do sports, eat well, make sure that the sleeping space is clean and take time for ourselves. There is more than one way to find calm," recalls the psychologist. Gertrude Jean-Louis

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Haiti: Is buying votes to be elected a form of corruption or political strategy?

The democratic political system requires the active participation of citizens in the management of the city. Everyone freely expresses their opinion for harmonious management of society. Generally the choices are made from the organization of free and honest elections. However, sometimes candidates use diverted means to achieve their ends. Can we consider this act as a form of corruption or a political strategy? In a democratic society, the organization of elections at regular intervals is an imperative. Managers are generally elected by the majority of voters, which ensures them a certain legitimacy within the framework of government management. Today, more and more, around the world, the elections are controlled by economic power. This sector gives a lot of silver to candidates who often buy the media services in order to have certain visibility through mass communication means (radio, VAT, Internet, etc.) and do without constraints Many very expensive trips, which require enormous capital. By the way, the possibility that a candidate with low financial means of being elected is increasingly reduced in Western societies. Despite everything, it is illegal to buy the votes of the voters. It is an act of corruption that should lead to criminal sanctions. No society can tolerate this practice which could hamper the degeneration of the democratic system and, consequently, of the electorate system. Civil society and human rights organizations must be vigilant in order to avoid these harmful drifts in the democratic system. In fact, the temptation to bribe the voters in order to access elective positions must be denounced as an act of corruption. In doing so, will lead to political dissenting between duty, and law, because citizens are called upon to freely choose the leaders of the city. Ultimately, the organization of the elections must be the fruit of consensus between the various groups of the social system. Managers must be chosen according to their ability to provide adequate answers to the problems of the company. They can still benefit from powerful financial means from other partners. But, giving voters directly money is a condemnable detective act which reduces the autonomy of action and thinking of voters. In this sense, the latter’s vote must reflect the desire to choose or build a fair, fair and favorable company.

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History

History

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Natural beauty

Natural beauty

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Heritage

Heritage

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

Culture

Culture

Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.

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