Official Launch of the 4th Edition of the National Essay Contest by Centre Muse Haïti

Emmanuel Joseph, a Haitian Thinker at the Crossroads of Ethics and Law

Originally from Bainet and raised in Petit-Goâve, Haiti, Emmanuel Joseph embodies one of the rising figures of the Haitian intelligentsia. A jurist, ethicist, and Ph.D. candidate in philosophy at the University of Sherbrooke (Canada), his journey reflects a rigorous commitment to justice, human rights, and critical thinking. Local Roots, Global Outlook Educated in Haiti’s public and religious schools, Emmanuel Joseph began his intellectual path at the Apostolic School of Petit-Goâve, then excelled at the Lycée Faustin Soulouque. His grades, consistently between 8 and 9 out of 10, demonstrated remarkable discipline and rigor from an early age. His university education began at the Faculty of Ethnology (FE) and the Faculty of Law and Economics (FDSE) of the State University of Haiti, where he earned his bachelor’s degree in November 2013. His academic profile sharpened in Canada, especially at the University of Quebec in Rimouski (UQAR), where he completed a master’s degree in philosophy/ethics in 2020, before pursuing a Ph.D. at the University of Sherbrooke, focusing on a broad yet fundamental theme: humanitarian action as experience.

Fontamara: Intensive Entrepreneurship Training for 50 Young People with LESPWA POU DEMEN

LESPWA POU DEMEN: a unique program that aims to train 50 young people from Fontamara in entrepreneurship and economic autonomy.

8 Years of Commitment: Pierre Marc BAPTISTE Mobilizes for the Cité Soleil Library

On August 29, 2025, Pierre Marc BAPTISTE, a young, committed leader from Belecourt, Cité Soleil, will celebrate eight years of social, educational, and leadership work in his community. On this occasion, he is launching an appeal for donations (money, books, educational materials) to support an ambitious project: the creation of the Duvivier High School Library.

Jephte Estiverne: A Poetic Voice Rising in 2025

In 2025, the name Jephte Estiverne echoes ever louder in the Haitian literary world. A poet, linguist, and trained sports journalist, this young author with a meteoric rise, originally from Carrefour-Feuilles, is establishing himself as one of the most promising voices of his generation. Through personal insights and reflections, he shares his journey, his relationship with writing, his vision of the country, literature, and poetic commitment.

Cathiana and Darlin highlight Haitian culture through their union

On August 24, 2024, in the heart of the sumptuous Manoir Adriana in Jacmel, Cathiana Désiré, a lawyer and feminist, and Darlin Johancy Michel, a producer and cultural operator, reinvented the Haitian wedding in a dazzling celebration of their roots. While traditional weddings often consist of white dresses and suits, this union was distinguished by its deep respect for Haitian traditions and its emphasis on a captivating spirituality.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society