When do the 4 seasons begin in Haiti?

PAQÉMO, music in the Service of Education and Hope in Haiti

PAQÉMO, short for "Projet Artistique de Quartiers et Éducatif Musical en Orchestre" (Neighborhood Artistic and Educational Orchestral Music Project), is an ambitious initiative launched in 2022 by the Association Musicale et Éducative à Vocation Sociale (AMEVS), co-founded by Jéricho Pierre-Noël and Cecilia Madolena Clénard, Haitian students at Sorbonne University. Today, the project includes other names such as Sargine Any Melissa Bernard, Mohamed Etamine, Ege Tarik Eken, Youssef Naccache, and Sohann List Massaregli, all Sorbonne students dedicated to promoting access to musical education in Haiti—particularly classical music—as a tool for holistic development. The goal of PAQÉMO’s founders is to use music as a means of education, inclusion, and social transformation, integrated alongside the traditional Haitian school curriculum.

Oyster Lagoon in Belle-Anse, an ecotourism emerald to explore

The Lagon des Huîtres National Park, one of the jewels of Haitian biodiversity, is a true natural sanctuary. This park is home to twenty-one lagoons forming an ecosystem of inestimable richness. The Pichon waterfall, with its twelve majestic waterfalls, embodies the wild beauty and natural power of the site. The park’s vegetation is dominated by Bayahondes (Prosopis juliflora), creating a dry forest that serves as a refuge for diverse wildlife. Among the most notable residents are the graceful Greater Flamingo (Phoenicopterus roseus) and the Ricord Iguana (Cyclura ricordi), a species endemic to the island of Hispaniola. The red, gray and white mangroves of the Lagon des Huîtres site play an essential role in providing protected habitats for a multitude of species.

Haiti: Haitian Fritay: An Explosion of Flavors in the Streets

Haiti’s bustling streets often echo with the tantalizing murmur of street vendors selling one of the country’s most prized culinary marvels: Fritay. This street feast, with its mouth-watering fried foods, is a true celebration of Haitian cuisine.

The 10 departments of Haiti

Haiti, a jewel nestled in the heart of the Caribbean, stands out for its cultural, natural and historical wealth. This vibrant nation is divided into 10 departments, each offering unique treasures to discover. Originally formed from the three provinces of the colony of Santo Domingo (North, South and West), these departments have evolved over the years, subdividing into a mosaic of dynamic and distinct regions. Today, Haïti is organized into 42 districts, 146 communes and 575 communal sections. These subdivisions reflect a geographic and cultural diversity that is worth exploring. Ready for a captivating journey through the 10 departments of Haiti? We take you on an exciting exploration of their districts, towns and cities that make them up. Hang in there, the adventure starts here!

Labadie, the star of Haiti’s beaches

Nestled on the northern coast of Haiti, Labadie (often called Labadee) is a must-see destination for lovers of heavenly beaches and seaside adventures. Known for its idyllic landscapes, crystal clear waters and varied activities, Labadie has established itself as a star among Haitian beaches. Let’s discover together this tropical jewel that attracts visitors from all over the world.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society