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Anténor Firmin, the genius of the 19th century HaitianAnténor Firmin
Anténor Firmin, the genius of the 19th century Haitian
Anténor Firmin
  • September 10, 2024
  • | 0

Anténor Firmin, the genius of the 19th century Haitian

Joseph-Auguste Anténor Firmin was born on October 28, 1850 in Cap-Haïtien, in a Haïti recently emancipated from the colonial yoke, he died on September 19, 1911 at the age of 60 in exile. He is undoubtedly one of the most emblematic intellectual figures of his time. His life, marked by an exceptional career in the political, literary and diplomatic fields, illustrates the genius of a Haitian intellectual whose contributions have left an indelible mark on history.

A Youth in Cap-Haïtien

Firmin grew up in Cap-Haïtien, in the city of the very famous King Henry Christophe, from a modest family, he studied at the Phillippe Guerrier high school and became a teacher at only 17 years old. His curious and critical mind animated his youth, and led him to get involved in the life of his hometown. His ability to juggle different tasks and get involved in various aspects of public life, marks him as a "jack of all trades".

Firmin the jack of all trades

Firmin is recognized for his exceptional contribution in several areas of Haitian national life. In politics, he fought for the stabilization and modernization of Haïti during the turbulence of the 19th century. He also stands out as a fervent defender of human rights and racial equality. His most notable contribution to this subject is probably his work "De l’égalité des races humaines" (1885), a fundamental text that challenges the racist theories of the time. This book is a bold statement affirming the fundamental equality of all races and represents a courageous act against the persistent racial prejudices of his time and those before.

The confrontation with Gobineau

Anténor Firmin does not hesitate to confront influential racist figures such as Joseph Arthur de Gobineau, whose theories on racial hierarchy were widely accepted. In his work, Firmin demonstrates that racial prejudices have no scientific basis but are unjust social constructs. This intellectual confrontation is not only a fight for scientific truth but also an act of resistance for the dignity and equality of Black people.

Pity or the work of an old soul crushed under the weight of an absinthe-flavored existence

The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values ​​that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.

A political failure, the Challenges of Governance

Firmin meets all the necessary conditions to conduct effective governance, to get Haïti out of the chaos in which it had been plunged since the assassination of Jean Jacques Dessalines in 1806. Unfortunately for him, and for the Haitian nation, the life of any illustrious man is characterized by exploits, accompanied by their share of failure. Despite his significant achievements, Firmin had to face significant challenges in his political career.

Several electoral failures, including one against Nord Alexis, the famous "Tonton nò" (ignorant old man), reflect the extent to which the brilliant mind of this man was able to face the challenges that the Haitian political world represents. And as a minister and politician, he encountered major obstacles in his attempts at reform and modernization. His efforts to establish a stable government, combat corruption (the great enemy of national development), and promote progress are often thwarted by internal conflicts, supported internationally, and significant political resistance.

In the Dessalines tradition

Anténor Firmin, in many ways, is a continuation of Jean-Jacques Dessalines, the father of the Haitian nation. Where Dessalines played a crucial role in Haiti’s independence, Firmin contributed to the intellectual and political affirmation of the country throughout the world. Both men embody a spirit of resistance and an aspiration for a more just society. Their legacies continue to inspire future generations, in Haïti and beyond.

Pity or the work of an old soul crushed under the weight of an absinthe-flavored existence

The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values ​​that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.

A Diplomatic and Political Career

Anténor Firmin already foresaw the turbulent 20th century that would face both the Haitian elite and its popular masses. Indeed, he predicted an American intervention in Haïti decades before 1915, which in fact took place. In his book L’effort dans le mal, he declared the following: "Man, I can disappear, without seeing the dawn of a better day dawn on the national horizon. However, even after my death, one of two things will be necessary: ​​either Haïti falls under foreign domination, or it resolutely adopts the principles in the name of which I have always fought and struggled. Because, in the twentieth century, and in the Western hemisphere, no people can live indefinitely under tyranny, in injustice, ignorance and misery."

The exile

Exile is a subject present in almost all of the great Haitian minds. Firmin, despite the greatness of his mind, was no exception to this rule, but took advantage of it to educate himself and build a solid intellectual reputation for the benefit of Haiti. In 1883, he was sent as Haiti’s representative to the centennial celebrations of Simón Bolívar. He refused a ministerial position under the presidency of Lysius Félicité Salomon, and went into exile in Saint-Thomas and then in Paris. In France, he met Louis-Joseph Janvier and became a member of the Société d’anthropologie de Paris in 1884 at his side. His diplomatic career took a turn in 1889 when he was appointed Minister of Finance and Foreign Relations under President Florvil Hyppolite, although he left this position in 1891 to return to France. In 1900, he was appointed Haitian ambassador to France, thus consolidating his role as Haiti’s international representative.

The Antillan League and Antillanism.

In 1910, Firmin published "Letters from Saint-Thomas", in which he explored the idea of ​​an "Antillan League". This concept was part of Antillanism, a political movement aimed at creating a federation of the Caribbean islands to defend themselves against Spanish colonialism and American imperialism. A great friend of José Martí, Firmin, through his writings and actions, sought to promote regional solidarity in the face of external challenges.

In short, Anténor Firmin is a central figure in the Haitian intellectual world, whose contribution transcends the boundaries of politics, literature and diplomacy. His commitment to racial equality, his courage in the face of opposition, and his immense intellectual legacy are testament to his unique place in Haitian history and that of all other black people around the world. Firmin’s genius lies in his ability to combine deep convictions and diverse skills to fight injustice and promote a more equitable vision of the world. Firmin remained, through his ideas, a spirit that stood firm against all forms of racial injustice.

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About the Author
Moise Francois

Journalist editor, poet and apprentice lawyer.

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