Is Haïti part of Africa?

Article 2 of the Haitian Constitution: The National Colors, a Symbol of Identity

Article 2 of the Haitian Constitution of 1987, amended in 2011, establishes that the national colors are blue and red. These two colors are not simply aesthetic choices; they embody the history, culture, and aspirations of the Haitian people. Let’s dive into the deeper meanings and key facts associated with these emblematic colors. q~ARTICLE 2: The national colors are: blue and red.~q

What are the departments of Haiti?

Haiti, a country rich in history and culture, is divided into several administrative departments that structure its territory and reflect its geographical and cultural diversity. Each department has unique characteristics, contributing to the wealth of the nation. Discover the 10 departments of Haiti, their characteristics, and their role in the life of the country.

Haiti’s Citadelle Laferrière: Eighth Wonder of the World?

Among the world’s architectural and historical treasures, the Citadelle Laferrière, perched high in the north of Haiti, occupies a unique place. Dubbed by some the “Eighth Wonder of the World,” this colossal fortress is much more than a feat of engineering: it is a powerful symbol of freedom, resilience, and national pride. Discover why this impressive site continues to captivate visitors from around the world and deserves this honorary distinction.

Haiti: Historical Revolution and Global Impact

Haiti, a Caribbean island, carries within it an extraordinary history that resonates through the ages. Best known for being the scene of the first successful slave revolt in modern history, this nation has left an indelible mark on the course of humanity. Haiti’s history is notable not only for its revolutionary independence, but also for its impact on liberation movements and struggles for social justice around the world.

Pity or the work of an old soul crushed under the weight of an absinthe-flavored existence

The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values ​​that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.

Launch in Haiti: The “Zanmi Lanati Club” is committed to the climate

At the initiative of students Savela Jacques Berenji and Louino Robillard, the first two Haitians to have integrated the diploma program initiated by “SUNX, Climate Friendly Travel (CFT) and the Institute of Tourism Studies (ITS), the “ Club Zanmi Lanati” was officially launched on Saturday July 13, 2024, in Haiti, in Delmas 66. More than thirty young people took part in the initiative whose objective, among other things, is to combat climate change, promote responsible tourism, train citizens (ecological tourists) and encourage the creation of tourist and cultural wealth for sustainable development, according to the initiators.